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Hung Dance
June 14 & 15 • Reynolds Industries Theater
Update to the Printed Program

The Lighting Programmer for Hung Dance's ADF performance of Birdy is SUNG Yung-hung.

Please note, this performance uses a haze effect.

About Hung Dance

Hung Dance is a Taiwanese contemporary dance company founded in 2017 by artistic director and choreographer Lai Hung-chung. Inspired by the word "hung (翃)," the company's name reflects its aspiration to soar. Focusing on annual productions, international collaboration, and tours, Hung Dance also organizes the Stray Birds Dance Platform to foster choreographers' creativity and connect them to global resources.

The company has earned numerous awards for its exceptional choreographic pieces Watcher and Birdy in renowned competitions and festivals worldwide. It has also embarked on an extensive international tour, captivating audiences across Europe, Asia, America, and Africa with over two hundred mesmerizing performances.

Hung Dance's performances are a unique blend of traditional and contemporary elements, inviting audiences to interpret, imagine, and embrace dance's timeless beauty. Lai Hung-chung's choreography delves into human emotions and the connection between culture and nature. By seamlessly blending elements of Chinese opera, mythology, and Tai Chi with contemporary concepts, he has created a unique dance vocabulary and training system that is sure to intrigue and captivate.

2023
Adelaide Fringe Weekly Award, Adelaide Fringe Festival

2022   
Mervyn Stutter's Spirit of the Fringe Awards, Edinburgh

2020
Nomination of See You 19th Taishin Arts Award, Taiwan

2018  
3rd Prize, 32nd International Choreographic Competition, Hanover, Germany
Audience Award, Tanzplatform, Bern, Switzerland

2017  
3rd Prize and Critics Award, 31st International Choreographic Competition, Hanover, Germany
1st prize, Burgos & New York International Choreography Contest, Spain
Audience Prize, Masdanza International Dance Festival, Spain

Funding Credits

These performances are made possible with lead support from the Taiwan Academy of TECRO/Ministry of Culture in Taiwan and are co-sponsored, in part, by Duke University’s Asian/Pacific Studies Institute.