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THE PLAY THAT GOES WRONG
February 1, 2023- February 12, 2023
Welcome to WaterTower Theatre

SHANE PETERMAN, PRODUCING ARTISTIC DIRECTOR
PRESENTS

THE PLAY THAT GOES WRONG

BY HENRY LEWIS, HENRY SHIELDS & JONATHAN SAYER

DIRECTOR   HARRY PARKER
ASSISTANT DIRECTOR   ALEJANDRO SAUCEDO
ASSISTANT DIRECTOR/DIALECTS COORDINATOR   CHRISTINA CRANSHAW
ASSISTANT DIRECTOR/FIGHT CHOREOGRAPHER   MITCHELL STEPHENS
PRODUCTION STAGE MANAGER   CHRISTOPHER TREVIÑO*
ASSISTANT STAGE MANAGER   BREANNA GADDIS
SCENIC DESIGN   BRYAN STEVENSON
LIGHTING DESIGN   AARON JOHANSEN
SOUND DESIGN   EMILEE BILES
COSTUME DESIGN   AARON PATRICK DECLERK
PROPS DESIGN   LYNN LOVETT
COVID COMPLIANCE OFFICER   ELIZABETH KENSEK 

ON THE TERRY MARTIN MAIN STAGE 

THE PLAY THAT GOES WRONG is presented by special arrangement with Dramatists Play Service, Inc., New York. Presented by arrangement with Dramatists Play Service under license from Mischief Worldwide Ltd. The Mischief Production of THE PLAY THAT GOES WRONG was originally produced on the West End Stage by Kenny Wax & Stage Presence
 and on Broadway by Kevin McCollum, J.J. Abrams, Kenny Wax & Stage Presence THE PLAY THAT GOES WRONG was first presented by Mischief Theatre under the title The Murder Before Christmas on December 4th, 2012, at the Old Red Lion Theatre in London.THE PLAY THAT GOES WRONG by Henry Lewis, Jonathan Sayer & Henry Shields © 2012, 2014 Mischief Worldwide Ltd. All rights reserved.THE PLAY THAT GOES WRONG, the “Falling G” logo device, Mischief, and Mischief Theatre are trademarks of Mischief Worldwide Ltd. All rights reserved. For Mischief Worldwide Ltd.:
 Directors: Mark Bentley, Jonathan Burke, Henry Lewis, Kenny Wax, Executive Director: Jo Danvers, Marketing Manager: Harry Lockyear, Production & Administrative Assistant: Minoli De Silva, Exclusive Agent for Literary Rights: Nicki Stoddart, United Agents LLP, London. For information about all Mischief works, please visit www.mischiefcomedy.com
Season Sponsors
Addison logo
NEA logo Shubert foundation logo
TCA logo

THEATRE NAMING SPONSORS:

Don and Barbara Daseke, Kathleen A. Messina & Gary Goodwin, Stan Graner, Janiece & Jimmy Niemann 


 

Program

CAST:

Drew Denton   Jonathan
Parker Gray*   Chris
Alison Whitehurst*   Sandra
Hannah Bell   Annie
Mark Shum*  

Dennis

Zak Reynolds*   Max
Francisco Grifaldo   Trevor
Blake Henri   Robert

UNDERSTUDIES:

Micah Brooks, Christina Cranshaw, Mitchell Stephens

*Appearing through the SPT Agreement between this theatre, WaterTower Theatre, and Actors' Equity Association, the Union of Professional Actors and Stage Managers in the United States. 

Equity logo

The videotaping or other video or audio recording of this production is strictly prohibited


The action takes place on the opening night of the Cornley Polytechnic Drama Society's production of The Murder at Haversham Manor by Susie H. K. Brideswell. Present day.

There will be a 15 minute intermission.


 

Director's Note

Water Tower Theatre, 2023

It's true that at first glance The Play That Goes Wrong doesn’t seem to have a lot in common with The Murder at Haversham Manor (the play that the Cornley Polytechnic Drama Society is attempting to produce as the play-within-a-play in The Play That Goes Wrong), but there are, in fact, some similarities.  The most crucial one of these similarities is this: the two genres represented here are (1) Farce (The Play That Goes Wrong), and (2) Murder Mystery (the fictional play The Murder at Haversham Manor).  Both of these categories of plays rely very heavily on plot in their structures; they are each a series of compelling events which create the excitement of the plays. 

Farce is defined as a comedy in which a series of incredibly silly and fantastic complications occur to the major characters, stretching the limits of credibility, but never quite slipping over the edge into fantasy or the absolutely impossible.  The fun of a farce is to watch the characters struggle and suffer as their best laid plans are systematically trampled on by a series of amazingly silly, though not impossible complications.  These plays are often extremely popular with audiences!  Some contemporary examples are Noises Off (written by Michael Frayn), and One Man, Two Guv’ners (Richard Bean), and other classic farces include Charley’s Aunt (Brandon Thomas), What the Butler Saw (Joe Orton), Bedroom Farce (Alan Ayckbourn) and many of the works of two great playwrights who specialized in farce, Georges Feydeau (Hotel Paradiso; A Flea in Her Ear), and Ray Cooney (Run For Your Wife; Not Now, Darling).

Murder mysteries have a completely different tone from faces, of course, but they are also heavily dependent on plot.  They normally contain a series of twists and turns, filled with both clues and red herrings, as the playwright creates a guessing game for the audience concerning who might ultimately be revealed as the culprit.  Again, many of these plays have long been audience favorites!  The Murder at Haversham Manor owes a lot to one of the masters of the murder mystery, Agatha Christie, specifically The Mousetrap (which has been playing in London in its original run for more than 70 years, and which has a planned Broadway production later this year).  Additional successful entries into the murder mystery genre for the stage include Dial M For Murder (Frederick Knott), Deathtrap (Ira Levin) and Sleuth (Anthony Shaffer).

Other kinds of comedies and dramas may emphasize richly nuanced characters, or contain thoughtful and provocative ideas or themes.  However, farces and murder mysteries are usually populated by stock, two-dimensional characters, and these plays have as their overarching purpose an evening of exciting entertainment (hilarious or suspenseful), rather than profound insights.  Farces and mysteries are about story first and last.  The acting in these plays requires extremely clear choices to keep the unfolding of events, the storytelling, crystal clear for the audience.  In rehearsal, we have worked hard to play one moment at a time in the play, never allowing the characters to assume anything about what’s coming next in the story, and letting each domino fall clearly, even as it knocks over the next one in line.

So, it’s rather fitting that the play that does indeed go wrong in The Play That Goes Wrong is a murder mystery, a surprisingly similar style of play.

-Harry Parker

The Show Within the Show

Members of the Cornley Polytechnic Drama Society

(in order of appearance)

ANNIE is the company's stage manager.

STAGE CREW, the Cornley Drama Society stage crew

TREVOR is the company's lighting and sound operator

CHRIS is the head of the drama society, directed the play, and plays Inspector Carter

JONATHAN plays Charles haversham

ROBERT plays Thomas Colleymoore

DENNIS plays Perkins

MAX plays Cecil Haversham and Arthur the Gardener

SANDRA plays Florence Colleymoore

 

The action takes place on the opening night of the Cornley Polytechnic Drama Society's production of The Murder at Haversham Manor  by Susie H. K. Brideswell. Present Day.

 

CHARACTERS IN THE MURDER AT HAVERSHAM MANOR

(in order of appearance)

CHARLES HAVERSHAM, the deceased

THOMAS COLLEYMOORE, Charles' old school friend

PERKINS, Charles' butler

CECIL HAVERSHAM, Charles' brother

FLORENCE COLLEYMOORE, Charles' fiance and Thomas' sister

INSPECTOR CARTER, an esteemed local inspector

ARTHUR THE GARDENER, the gardener at Haversham Manor

 

The action takes place in Charles' private rooms at Haversham Manor on the evening of Charles and Florence's engagement party. Winter 1922.

The Story Behind the Show
The Play That Goes Wrong premiered at the Old Red Lion Theatre in London in 2012 as a one act version, this then moved to Trafalgar Studios in 2013.
The play then began a UK tour, following its run at Trafalgar Studios, from January 2014 at the Marlowe Theatre in Canterbury, visiting 17 venues and ending in Darlington in July, prior to being given a West End Venue.
The play then opened at the Duchess Theatre in the West End on 14 September 2014, where it remains and is currently booking until April 2023!
The original cast then opened the play on Broadway in 2017 at the Lyceum Theatre with JJ Abrams making his debut as a theatrical producer and becoming the longest running play on Broadway at the time with 745 regular performances and 27 previews. It is currently running Off-Broadway at the New World Stages. 
Now stumbling through its eighth catastrophic year in London's West End and having performed in over 35 countries across 6 continents, winning multiple awards around the world including the WhatsOnStage and Olivier Award for Best New Comedy plus a Tony and Drama Desk Award for Best Scenic Design of a Play, The Play That Goes Wrong is a global phenomenon, which is guaranteed to leave you aching with laughter!

 

BUT WHAT MAKES IT THE WORLD’S BIGGEST HIT SHOW?

Simple math.
19 is the number of times actors get hit in each show, either by an object or each other.
There have been 6194 performances in the English language all around the World.
Which means someone has been struck 117,686 times.
Making this (officially) the biggest HIT play. (Ouch!)

LEARN MORE ABOUT THE SHOW AND THE CREATORS:

MISCHIEF COMEDY & THE PLAY THAT GOES WRONG

 

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About Us
Board of Directors

Rebecca Neef, President 
Steven Pipes, Vice President 
Maggie Vera, Vice President  
Phil Longacre, Treasurer 
Jeannette Johnson, Secretary 

Rosalind Benjet 
Blake Clemens 
Barbara Daseke 
Tim Horan 
Nadia Loudon 
Craig Sutton 
Tiffany Richmond 
Maggie Vera
Brittany Willis

Staff


Shane Peterman

Producing Artistic Director
Brian Gonzales

Director of Audience Benefactor Development
Kae Styron

Director of Production
Robin Clayton

Assistant to the Producing Artistic Director
Emily Holt

Graphic Designer
Earl Griggs

Bookkeeper & Consultant
Erica Harkins

Line Producer
Jesse Cohen

IT Consultant
Feleceia Wilson
Frankie Wilson
Gabrielle Steele
Sydney Cornelius

Marketing:
Zoe Communications Agency
Dylan  Ray Owen

Box Office Supervisor
John Rawley

Bar & Concessions Supervisor
Rebecca Bongiorno
Tatum Eckert
Faith Grier
Shay Howard
Rhonda Rose
Gideon Swift

Front of House Associates
Evan Murphy

                    Conor Clark

            Edgar Hernandez Leo Thomas

Breanna Richardson

                     


WTT Production Staff
Kae Styron

Scenic Artist
Davvi Solomon

Light Board Operator
Angel Weldehana

Sound Board Operator


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Support
Thank You for Your Support

WaterTower Theatre depends on the the generosity of individuals, foundations, and corporate sponsors to continue to produce the highest quality professional theatre.


Looking for opportunities to share similar interests with other WTT patrons? Make a deeper investment in the arts by joining our popular donor affinity group, Women of WaterTower Theatre (WOW!)! A membership in this donor group offers many exciting opportunities from behind-the-scenes tours, to VIP opening night receptions, to "sneak previews" with guest speakers, and much more.

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Other Ways to Give

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We’d like to say a special thank you

to the following donors who have given between March 1, 2023 – April 10, 2024


The below listing reflects gifts received between 03.01.2023 and 04.10.2024. We apologize for any unintentional omissions. 

We gratefully acknowledge the 500+ donors who each year, through their contributions, make it possible for WTT to present over 125 performances each year. Although space limits our ability to publicly recognize donors at levels below $250, we deeply and sincerely appreciate every contribution. As ticket sales cover only a portion of our annual costs, these generous gifts of patrons, corporations, foundations, and others are critical to WTT’s ability to create quality professional theatre for our audience.  Should you wish to be added to this extraordinary list of donors, please visit our website at www.watertowertheatre.org/donations or contact Brian Gonzales at 972-450-6275 or via email at bgonzales@watertowertheatre.org

Thank you!