SHANE PETERMAN, PRODUCING ARTISTIC DIRECTOR
PRESENTS
THE PLAY THAT GOES WRONG
BY HENRY LEWIS, HENRY SHIELDS & JONATHAN SAYER
DIRECTOR | HARRY PARKER | |
ASSISTANT DIRECTOR | ALEJANDRO SAUCEDO | |
ASSISTANT DIRECTOR/DIALECTS COORDINATOR | CHRISTINA CRANSHAW | |
ASSISTANT DIRECTOR/FIGHT CHOREOGRAPHER | MITCHELL STEPHENS | |
PRODUCTION STAGE MANAGER | CHRISTOPHER TREVIÑO* | |
ASSISTANT STAGE MANAGER | BREANNA GADDIS | |
SCENIC DESIGN | BRYAN STEVENSON | |
LIGHTING DESIGN | AARON JOHANSEN | |
SOUND DESIGN | EMILEE BILES | |
COSTUME DESIGN | AARON PATRICK DECLERK | |
PROPS DESIGN | LYNN LOVETT | |
COVID COMPLIANCE OFFICER | ELIZABETH KENSEK |
ON THE TERRY MARTIN MAIN STAGE
CAST:
Drew Denton | Jonathan | |
Parker Gray* | Chris | |
Alison Whitehurst* | Sandra | |
Hannah Bell | Annie | |
Mark Shum* |
Dennis |
|
Zak Reynolds* | Max | |
Francisco Grifaldo | Trevor | |
Blake Henri | Robert |
UNDERSTUDIES:
Micah Brooks, Christina Cranshaw, Mitchell Stephens
*Appearing through the SPT Agreement between this theatre, WaterTower Theatre, and Actors' Equity Association, the Union of Professional Actors and Stage Managers in the United States.
The videotaping or other video or audio recording of this production is strictly prohibited
The action takes place on the opening night of the Cornley Polytechnic Drama Society's production of The Murder at Haversham Manor by Susie H. K. Brideswell. Present day.
There will be a 15 minute intermission.
Water Tower Theatre, 2023
It's true that at first glance The Play That Goes Wrong doesn’t seem to have a lot in common with The Murder at Haversham Manor (the play that the Cornley Polytechnic Drama Society is attempting to produce as the play-within-a-play in The Play That Goes Wrong), but there are, in fact, some similarities. The most crucial one of these similarities is this: the two genres represented here are (1) Farce (The Play That Goes Wrong), and (2) Murder Mystery (the fictional play The Murder at Haversham Manor). Both of these categories of plays rely very heavily on plot in their structures; they are each a series of compelling events which create the excitement of the plays.
Farce is defined as a comedy in which a series of incredibly silly and fantastic complications occur to the major characters, stretching the limits of credibility, but never quite slipping over the edge into fantasy or the absolutely impossible. The fun of a farce is to watch the characters struggle and suffer as their best laid plans are systematically trampled on by a series of amazingly silly, though not impossible complications. These plays are often extremely popular with audiences! Some contemporary examples are Noises Off (written by Michael Frayn), and One Man, Two Guv’ners (Richard Bean), and other classic farces include Charley’s Aunt (Brandon Thomas), What the Butler Saw (Joe Orton), Bedroom Farce (Alan Ayckbourn) and many of the works of two great playwrights who specialized in farce, Georges Feydeau (Hotel Paradiso; A Flea in Her Ear), and Ray Cooney (Run For Your Wife; Not Now, Darling).
Murder mysteries have a completely different tone from faces, of course, but they are also heavily dependent on plot. They normally contain a series of twists and turns, filled with both clues and red herrings, as the playwright creates a guessing game for the audience concerning who might ultimately be revealed as the culprit. Again, many of these plays have long been audience favorites! The Murder at Haversham Manor owes a lot to one of the masters of the murder mystery, Agatha Christie, specifically The Mousetrap (which has been playing in London in its original run for more than 70 years, and which has a planned Broadway production later this year). Additional successful entries into the murder mystery genre for the stage include Dial M For Murder (Frederick Knott), Deathtrap (Ira Levin) and Sleuth (Anthony Shaffer).
Other kinds of comedies and dramas may emphasize richly nuanced characters, or contain thoughtful and provocative ideas or themes. However, farces and murder mysteries are usually populated by stock, two-dimensional characters, and these plays have as their overarching purpose an evening of exciting entertainment (hilarious or suspenseful), rather than profound insights. Farces and mysteries are about story first and last. The acting in these plays requires extremely clear choices to keep the unfolding of events, the storytelling, crystal clear for the audience. In rehearsal, we have worked hard to play one moment at a time in the play, never allowing the characters to assume anything about what’s coming next in the story, and letting each domino fall clearly, even as it knocks over the next one in line.
So, it’s rather fitting that the play that does indeed go wrong in The Play That Goes Wrong is a murder mystery, a surprisingly similar style of play.
-Harry Parker
Members of the Cornley Polytechnic Drama Society
(in order of appearance)
ANNIE is the company's stage manager.
STAGE CREW, the Cornley Drama Society stage crew
TREVOR is the company's lighting and sound operator
CHRIS is the head of the drama society, directed the play, and plays Inspector Carter
JONATHAN plays Charles haversham
ROBERT plays Thomas Colleymoore
DENNIS plays Perkins
MAX plays Cecil Haversham and Arthur the Gardener
SANDRA plays Florence Colleymoore
The action takes place on the opening night of the Cornley Polytechnic Drama Society's production of The Murder at Haversham Manor by Susie H. K. Brideswell. Present Day.
CHARACTERS IN THE MURDER AT HAVERSHAM MANOR
(in order of appearance)
CHARLES HAVERSHAM, the deceased
THOMAS COLLEYMOORE, Charles' old school friend
PERKINS, Charles' butler
CECIL HAVERSHAM, Charles' brother
FLORENCE COLLEYMOORE, Charles' fiance and Thomas' sister
INSPECTOR CARTER, an esteemed local inspector
ARTHUR THE GARDENER, the gardener at Haversham Manor
The action takes place in Charles' private rooms at Haversham Manor on the evening of Charles and Florence's engagement party. Winter 1922.
Simple math.
19 is the number of times actors get hit in each show, either by an object or each other.
There have been 6194 performances in the English language all around the World.
Which means someone has been struck 117,686 times.
Making this (officially) the biggest HIT play. (Ouch!)
LEARN MORE ABOUT THE SHOW AND THE CREATORS:
MISCHIEF COMEDY & THE PLAY THAT GOES WRONG
Rebecca Neef, President
Steven Pipes, Vice President
Maggie Vera, Vice President
Phil Longacre, Treasurer
Jeannette Johnson, Secretary
Rosalind Benjet
Blake Clemens
Barbara Daseke
Tim Horan
Nadia Loudon
Craig Sutton
Tiffany Richmond
Maggie Vera
Brittany Willis
Shane Peterman | Producing Artistic Director | |
Brian Gonzales | Director of Audience Benefactor Development | |
Kae Styron | Director of Production | |
Robin Clayton | Assistant to the Producing Artistic Director | |
Emily Holt | Graphic Designer | |
Earl Griggs | Bookkeeper & Consultant | |
Erica Harkins | Line Producer | |
Jesse Cohen | IT Consultant | |
Feleceia Wilson Frankie Wilson Gabrielle Steele Sydney Cornelius | Marketing: Zoe Communications Agency | |
Dylan Ray Owen | Box Office Supervisor | |
John Rawley | Bar & Concessions Supervisor | |
Rebecca Bongiorno Tatum Eckert Faith Grier Shay Howard Rhonda Rose Gideon Swift | Front of House Associates | |
Evan Murphy Conor Clark Edgar Hernandez Leo Thomas Breanna Richardson
| WTT Production Staff | |
Kae Styron | Scenic Artist | |
Davvi Solomon | Light Board Operator | |
Angel Weldehana | Sound Board Operator |
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to the following donors who have given between March 1, 2023 – April 10, 2024
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