Carlos Soto is a designer and creative director based in New York City. With Zack Winokur: Tristan und Isolde (Santa Fe Opera); Only An Octave Apart with Justin Vivian Bond and Anthony Roth Costanzo (St. Ann’s Warehouse, Wilton's Music Hall); The No One's Rose composer Matthew Aucoin, choreographer Bobbi Jene Smith (Stanford Live); The Black Clown with Davóne Tines (ART, Lincoln Center, 2018-19). With Solange Knowles & Wu Tsang: Passage (International Woolmark Prize 2021); Solange’s In Past Pupils and Smiles (Venice Biennale, 2019); Witness! (Elbphilharmonie, Hamburg / Sydney Opera House, 2019/20); When I Get Home (film and concert tour 2019). Costumes and/or scenography: Wagner's The Valkyries by Yuval Sharon (Detroit Opera); Triptych (Eyes of One on Another) by Bryce Dessner, director Kaneza Schaal, Roomful of Teeth (BAM, Holland Festival, Kennedy Center, UMS, 2019); The Mile-Long Opera, by Anne Carson, Claudia Rankine, David Lang, 2018. Soto has collaborated closely with Robert Wilson since 1997, most recently on Bach 6 Solo, Der Messias, & I was sitting on my patio this guy appeared I thought I was hallucinating.