read music at Goldsmiths College (University of London) and the Royal Academy of Music. He was named as an associate of the Royal Academy of Music in the 2016 honours list. Music Supervisor credits: Standing at the Sky’s Edge (Sheffield Crucible); Little Shop of Horrors (Regent’s Park Open Air Theatre); On The Town (Regent’s Park Open Air Theatre); Jesus Christ Superstar (Regent’s Park Open Air Theatre–Olivier Award nomination for Outstanding Achievement in Music, Lyric Opera Chicago, U.S. Tour, and The Barbican); The Grinning Man (Bristol Old Vic); wonder.land (National Theatre); In the Heights (King’s Cross Theatre/Southwark Playhouse) which won the 2016 Olivier Award for Outstanding Achievement in Music and Hobson’s Choice (Regent’s Park Open Air Theatre). Music Director credits: Something Rotten (Wermland Opera, Sweden); Made in Dagenham (Adelphi/Rupert Goold); From Here to Eternity (Shaftesbury/Tamara Harvey); The Color Purple (Menier/John Doyle); West Side Story (NYMT/Nikolai Foster); The Witches of Eastwick (UK Tour/Nikolai Foster). As a composer: The Public Administration and Constitutional Affairs Committee Takes Oral Evidence on Whitehall’s Relationship with Kids Company (Donmar Warehouse); Pity (Royal Court); Little Red Riding Hood, a ballet conceived by Drew McOnie commissioned by The National Youth Ballet of Great Britain; Last Night a Killer Saved my Life (French Fancy Films); Lost for Words (Workhouse Films). Film credits as a conductor include: Genius (Michael Grandage/Adam Cork); Richard II, Macbeth (Rupert Goold/Adam Cork). Albums as Conductor/Orchestrator: Just Let Go (Hadley Fraser); Terry Pratchett’s Only You Can Save Mankind (Leighton James House); Looking Up (Simon Bailey); Dark Side of the Egg (The Knights of Hyperbole).