Orchestrating Brahms’ Handel Variations for Orpheus has been like diving into a joyful, complex puzzle. Which instruments should play which lines? Together or separately? In what register? How can I translate the piano’s pedal resonance into orchestral sound? And how would Brahms approach this? Fortunately, we have Brahms’ own models to guide us. I delved into the Variations on a Theme of Joseph Haydn, along with his symphonies and serenades, immersing myself in his style to understand his quintessential orchestral richness. It’s been a delightful game of making choices, exploring possibilities, and committing to decisions.

As a pianist-composer with a lifelong love for Brahms, this process feels like a lively conversation with an old friend, full of surprises and insights. My approach has been a blend of discipline and fun—like playing chess with Brahms, where every move presents both a challenge and a joy.