Carolina Ortiz Herrera is a Mexican-born and New York-based lighting designer for theatre, opera, and dance. Selective credits include A Woman of the World, Until the Flood (Merrimack Theatre Repertory); All’s Well That Ends Well (Oregon Shakespeare Festival); American Mariachi (Arizona Theatre Company); Seven Guitars (Yale Repertory Theatre); Yellowman, nominated for Best Lighting Design at Audelco’s Awards (Billie Holiday Theatre); Sweeney Todd (Yale Dramat); The Skin of Our Teeth, (Yale School of Drama); Florencia en el Amazonas (Shubert Theatre); The Silent Lyre (Lighten Theatre); Trouble in Tahiti (New Jersey University); and The Cunning Little Vixen (Opera Theatre of Yale). Education: MFA, Yale School of Drama. www.carolinaeortiz.com