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Chamber Series - All Mozart
October 29 - 31, 2021
Program Title Page

ALL MOZART

 

Friday, October 29, 2021 at 8:00 p.m.

Saturday, October 30, 2021 at 8:00 p.m.

Sunday, October 31, 2021 at 3:00 p.m.

 

Gunter Theatre

 

Edvard Tchivzhel, music director & conductor

 

MOZART (1756-1791)

Serenade No. 12, K. 388

Divertimento, K. 166

Serenade No. 10 (Gran Partita), K. 361

 

 
Funded in part by a grant from the Metropolitan Arts Council, which receives funding from the City of Greenville, SEW Eurodrive, BMW Manufacturing Company, LLC, Michelin North America, Inc., and the South Carolina Arts Commission with support from the National Endowment for the Arts.

 
This organization is funded in part by the
South Carolina Arts Commissionwhich receives support
from the National Endowment for the Arts.

 

 

Program Notes

ALL MOZART
Program notes by Paul Hyde

Serenade No. 12, K. 388
Wolfgang Amadeus Mozart (1756-1791)

Mozart called his Serenade No. 12 "Nachtmusik" ("Night Music"), although the busy allegro that opens the piece seems to belie that title. This serenade for eight wind instruments is uniquely written in C-minor, setting the stage for a fair measure of tension and conflict.

The sweetly introspective slow movement, however, comes closer to the idea of a nocturne.

The third movement minuet is a canon, a musical structure that introduces a melody with one or more imitations following shortly afterword:  think "Row, Row, Row Your Boat."  In this minuet, the principal melody is introduced by the oboes and answered by the bassoons one bar later.

The finale is an up-tempo set of variations.  The final measures, which migrate to the bright key of C major, conclude the piece with jollity.

The serenade is scored for 2 oboes, 2 clarinets, 2 horns and 2 bassoons.  A typical performance lasts just over 20 minutes.

 

Divertimento, K. 266
Wolfgang Amadeus Mozart (1756-1791)

The Divertimento is a wonderfully sunny work.  If a serenade often was intended for the night, Mozart's divertimentos were daytime pieces.  The opening allegro is a brisk affair with the higher woodwinds weaving melodies supported by the joyful walking motif (sometimes sprinting motif) of the bassoon.

The graceful second movement minuet is all charm.  The third movement, marked Adante grazioso, is streamlined, often featuring only the first oboe and first English horn an octave lower, both supported by bassoon.

A short, dignified Adagio introduces the finale, energetic and exuberant, rushing to a happy conclusion.

The work is scored for pairs of oboes, English horns, clarinets, horns and bassoons.  A typical performance lasts about 11-12 mintues.

 

Serenade No. 10, K. 361 ("Gran Partita")
Wolfgang Amadeus Mozart (1756-1791)

It was this piece (specifically, the third movement) that prompted Salieri in the 1984 film Amadeus to exclaim, "This was music I'd never heard.  Filled with such longing, such unfulfillable longing.  It seemed to me that I was hearing the voice of God."

Mozart took special care with this score, one of his greatest.  It is very likely that he hoped the piece would help him win an appointment to the Bavarian court, which he unfortunately did not achieve.  But Mozart did use this piece as his own wedding music in 1782.

The serenade, in seven movements and symphonic in scope, is scored for 12 wind instruments plus double bass.  A typical performance lasts 45-50 minutes.  It is unknown who gave the piece the title "Gran Partita," a misspelling.

The serenade opens with a slow introduction, a series of repeated chords balanced with delicate phrases for clarinet.  The fast main section of the first movement is mostly playful but with a brief excursion into melancholy.  The following second movement, a minuet, is courtly and graceful.  This beguiling minuet features considerable imitative interplay among the instruments.

WIth the third-movement Adagio, we've reached the heart of the serenade.  Over a pulsing accompaniment, the solo oboe and clarinet engage in tender dialogue.  The oboe leads with a softly expanding tone followed by the clarinet in graceful response.  Music commentator Edward Downes wrote of this movement, "The dialogue gives an impression of a felicity so sharp that it is sometimes close to pain, perhaps to tears."  For Alfred Einstein, the music suggested "a scene from Romeo under starry skies, a scene in which longing, grief and love are wrung like a distillation from the beating hearts of the lovers."

 A brief witty second minuet is followed by the slow, gentle fifth movement, called "Romance."  A contrasting section is a spirited affair with scurrying figures on the bassoon.

The sixth movement is in the form of theme and variations.  The clarinet presents the jaunty theme;  it is followed by six variations, some making virtuosic demands on soloists.  The brisk, rambunctious finale brings the piece to an exuberant close.

Paul Hyde, a longtime arts journalist in the Upstate, is an English instructor at Tri-County Technical College and Lander University.

Musician Roster

BASS

Tim Easter, Principal Bass

Anonymous Endowed Chair

 

BASSET HORN

John Warren, Basset Horn 1

John Sadak, Basset Horn 2

 

BASSOON

Allen Jiang, Principal Bassoon

Anonymous Endowed Chair

Reed Hanna, Second Bassoon

 

CLARINET

Anthony Marotta, Principal Clarinet

Harriet and Jerry Dempsey Endowed Chair

Ki-Deok Park, Second Clarinet

 

ENGLISH HORN

Daniel Ellis, English Horn 1

Petrea Warneck, English Horn 2

 

HORN

Anneka Zuehlke-King, Principal Horn

Charles W. Wofford and Nancy B. Thomas Endowed Chair

Elizabeth Regas, Horn 2

Bill L. Tyler, Horn 3

Debra Sherrill-Ward, Horn 4

 

OBOE

Virginia Zeblinsky Metzger, Principal Oboe

Guild of Greenville Symphony Endowed Chair

Kelly Mozeik, Second Oboe

 

OPERATIONS & PERSONNEL

Angie Jones

 

PRODUCTION MANAGER

Laura Auvil

 

PRINCIPAL LIBRARIAN

John Wickey

Upcoming Concerts

NOVEMBER

MOZART & MORE

Saturday, November 13 at 8:00 p.m.

Sunday, November 14 at 3:00 p.m.

Peace Concert Hall

 

Edvard Tchizvhel, music director & conductor

Jonathan Swensen, cello

 

MOZART      Overture to Don Giovanni

DVORAK       Cello Concerto

MOZART      Symphony No. 35 ("Haffner")

Tickets start at just $19.

 

DECEMBER

HOLIDAY AT PEACE

Friday, December 17 at 7:30 p.m.

Saturday, December 18 at 7:30 p.m.

Sunday, December 19 at 3:00 p.m.

Peace Concert Hall

Edvard Tchizvhel, music director & conductor

 

WSPA TV's Jamarcus Gaston hosts a program filled with your holiday favorites including music from "The Nutcracker" and "Frozen."  Special guests include International Ballet, acclaimed soprano and South Carolina native Karen Parks, and Santa himself!

 

Children's tickets start at just $11.

 

The Greenville Symphony Orchestra thanks Community Journals and Salem Media Group (94.5 FM "The Answer," 103.3 FM & 95.9 FM "The Earth" and 96.9 FM "Rejoice") for providing promotional support.