I am thrilled to be able to say to you all – our long 2 year intermission is over!
Welcome Back to The American Theatre
2022-2023 represents our 35th Anniversary Season presenting the entire Coastal Virginia region with performing arts excellence from around the world, and around the corner!
The last 35 years have presented audiences with diverse and crowdpleasing repertoires. We have been privileged to have artists like Bea Arthur, Mavis Staples, Manhattan Transfer, Sandra Bernhard, David Sanborn, The Shanghai Ballet, John McCutcheon, The Mystical Arts of Tibet, Nell Carter, Arlo Guthrie, Les Ballets Trockadero de Monte Carlo and hundreds more! Our Lighthouse Series highlights our region’s talented arts organizations that make Hampton Roads home – and our Family Fun Series is chock full of family friendly programming with our Saturday Morning Club!
As Artistic Director, it is my goal to combine bold artistic statements with innovative creative approaches, to engender strong support from the entire community.
It is with this in mind, I am ecstatic to introduce our audiences to the 2022-2023 35th Anniversary Season!
From innovative modern music to cutting-edge American jazz, from Broadway blockbusters to a variety of Christmas and Holiday celebrations— next season’s performers are all storytellers! With or without words, these 35th Anniversary performances are telling these stories just for you!
As part of our ongoing growth, I am proud to announce some exciting changes for Season 35 – starting with the grand opening of our new Studio Theatre. This newly renovated, intimate space will provide an opportunity for audiences to have a more personal performance experience with a variety of artists. I hope you share our excitement in the addition of this space to our regular annual programming!
We also continue our price-accessibility with tickets starting at $35 – with a number of preferred seating for those who want to guarantee the most sought-after seats early in the season. As always, patrons save the most money with our Subscription Passport.
I am tremendously grateful for everyone’s patience and commitment during our long intermission. We are glad to have the opportunity to once again share the magic of the performing arts with you. Creativity and imagination are the threads that weave our cultural tapestry and advance our mission to enhance the quality of life for the artists and audiences we serve.
Now, lean forward in your seats and get ready for a memorable year of joyful stories as we celebrate our 35th Anniversary!
I will see you at the Theatre!
Richard M. Parison, Jr.
Artistic Director
The Acting Company
presents
THE THREE MUSKETEERS
By Kirsten Childs
Adapted from the novel by Alexandre Dumas
Music and Lyrics by Kirsten Childs
Featuring
Torée Alexandre*, Zoe Anastassiou*, Edwin Brown III*, Darius Deon*, Sam Encarnacion*, Max Antonio Gonzalez*, Ty Camren Hawthorne, Travis Raeburn*, Christopher Then*, William Oliver Watkins*, Eunice Woods*, Caro Zeller*
Scenic Design Edward E. Haynes, Jr. |
Costume Design Ann Hould-Ward |
Lighting Design Dawn Chiang |
Sound Design & Orchestrations Lindsay Jones |
Fight Choreography J. David Brimmer |
Intimacy Coordinator Ann James |
Hair and Wig Design J. Jared Janas |
Voice & Speech Xavier Clark |
Choreographer Byron Easley |
Music Direction J. Oconer Navarro |
Additional Music Carson Childs, Lindsay Jones |
Melissa Richter*, Production Stage Manager
Josh-Andrew Wisdom*, Assistant Stage Manager
Directed by Kent Gash
* Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.
(in alphabetical order):
Torée Alexandre* (Constance and others)
Zoe Anastassiou* (Lady Lannoy, Monsieur Bonacieux, Jussac, and others)
Edwin Brown III* (Rochefort and others)
Darius Deon* (D’Artagnan)
Sam Encarnacion* (Athos, Thomas-Alexandre Dumas)
Max Antonio Gonzalez* (The Duke of Buckingham, Vittori, and others)
Ty Camren Hawthorne (King Louis XIII, Mirecourt, Treville and others)
Travis Raeburn* (Porthos)
Christopher Then* (Aramis)
William Oliver Watkins* (Alexandre Dumas, Cardinal Richelieu and others)
Eunice Woods* (Milady de Winter)
Caro Zeller* (Queen Anne and others)
Kate Pitt, Assistant Director
Row Walters, Production Manager and Audio Supervisor
Kis Knekt, Assistant Scenic Designer and Props Supervisor
Robin McGee, Associate Costume Designer
Tony Lauro, Associate Hair and Wigs Designer
Adam Munoz, Associate Choreographer
Amanda Stutzman, Tour Wardrobe Supervisor
Olivia Hern, Sammy Mainzer and Jannette Fischer, Costume Assistants
Ien DeNio, Associate Sound Designer
Luzmyrna Crespo, Associate Fight Choreographer
Leon Qin and Miles Segura, Fight Choreography Interns
Devan Kelty, Tour Lighting Supervisor
Dan Mullins and John Anselmo, Production Electrician
Sara Rosenthal, Production Assistant
X Casting/Victor Vazquez, CSA, Casting Agent
Devin Brain, Producing Director
Kent Gash, Artistic Director
Erik Schroeder, Managing Director
Brianna Rafidi, Associate Producer
Pamela Reichen, General Manager
Hillary Cohen, Director of Development
AJ Jackson, Company Manager
Nayah Ferris, Development Associate
Maddie Hopfield, Office Manager and Bookkeeper
By Kirsten Childs
I remember reading The Three Musketeers when I was a young girl growing up in twentieth century Civil-Rights era America. The story was a perfect escape from the cares of Black life; full of excitement and derring-do and romance, and wild, wonderful exploits of bold young men. As I reveled in the story’s enchantment, it was not lost on me, however, that bold young men I personally knew would have been summarily mowed down by the powers-that-be, had they exhibited a mere fraction of the boldness of The Musketeers. Because my bold young men were Black men in America (google Emmett Till), and the Musketeers clearly were White, since their story was written by a White man.
Or so I thought.
Imagine my surprise to learn that Alexandre Dumas, the author of this wonderful tale was himself Black, born of a Black man.
Imagine my glee upon hearing a story (possibly apocryphal but definitely awesome) about Dumas where he was confronted with the racist question, “If you are a quarter Black, and your father’s half Black and your grandfather’s all Black, does that make your great-grandfather a monkey?” To which Dumas replied, “And that’s where my ancestry ends and yours begins.”
Well, damn! How could such a writer and his works not be completely seductive to a young girl who had to watch her Black brethren chafe against the strictures of a society determined to quell their arrogant fabulousness?
And so, this work is my love letter to my supremely confident, arrogantly fabulous hero Alexandre Dumas. Long may he swashbuckle while throwing shade at those who deserve it.
The Acting Company develops emerging actors and builds enthusiastic audiences for the theater by touring professional productions across the United States and providing education programs, in-school residencies, and teacher training workshops to thousands of audience members and students every year. Founded in 1972 by John Houseman and Margot Harley, the company now seeks to reinvent the definition of classical theatre through the lens of who we are as citizens of the world today under the new leadership of artistic director Kent Gash. The Acting Company has toured 143 productions to millions of people in 48 states and 10 countries, has been honored with Tony, Obie, AUDELCO and LA Drama Critics Circle Awards, and helped launch the careers of two generations of actors including Patti LuPone, Kevin Kline, Rainn Wilson, Jesse L. Martin, Jeffrey Wright, Keith David, Hamish Linklater and Kelley Curran. Learn more at www.theactingcompany.org/learn-more
The Acting Company would like to extend its gratitude to Howard Sherman and Robert Bronstein at Baruch College, Corey Atkins, Samantha Robbins, Nina Field, Mieka Van Der Ploeg, Carol Rosegg, Nina Wurtzel, Pinecrest Creative (Joe Carroll, Dan Tracy), Maddie Greenberg, Melinda Berk, Taryn Sacramone, Jay Rogers, Victor Catano, Scott McKowen, John Williams, Audio Gods, Stage 3 Productions, Gary Franke, Gail Brassard, Bobby's of Boston, Lofty Vintage and Andrea Levy, John Kristiansen New York Inc.
The Three Musketeers rehearsed at the Baruch Performing Arts Center, Baruch College, New York NY
Press Agent: Shane Marshall Brown, The Press Room
Legal Representation: Jason Baruch, Sendroff & Baruch, LLP
Set Constructed By: F&D Scene Changes
Tour Lighting Equipment provided by: Hayden Production Services, LLC
Sound Equipment provided by: Bauder Audio Systems
Tour Trucking by: Clark Transfer
Costume Rentals by: Western Costume, Angels Costumes, the Costume Collection,
Goodspeed Costume rentals.
Margot Harley, Founder
Earl D. Weiner, Chair
Robert T. Goldman, Vice President
Lori-Ann Wynter, Secretary
Timothy K. Saunders, Jr., Vice Chair
Jean-Luc Sinniger, Treasurer
J. Barclay Collins II
Rufus Collins
Alireza Esmaeilzadeh
John N. Gilbert, Jr.
Harriet Harris
Dana Ivey
Kevin Kline
Ezra Knight
Joan M. Leiman
Patti LuPone
Dakin Matthews
Angela Pierce
John Rando
Richard J. Reilly, Jr.
Tejal Wadhwani
Nancy Bendiner Weiss
Edgar Lansbury, President Emeritus
Carol Crowley, Director Emeritus
Mary Ann Fribourg, Director Emeritus
The Acting Company’s 2022-23 National Tour is made possible, in part, by support from the Bloomberg Philanthropies; Booth Ferris Foundation; Cadwalader, Wickersham & Taft LLP; Chapman and Cutler, LLP; Barclay Collins; Peter Darrow; Jodi Della Femina; John Rando & Eileen Donohue; Alireza Esmaeilzadeh; John and Jill Gilbert; Joseph & Carson Gleberman; Douglas Gray; the Howard Gilman Foundation; The Rona Jaffe Foundation; Kirkland and Ellis LLP; Edgar & Louise Lansbury; Dakin Matthews; Mayer Brown; Morgan Lewis LLP; Henry Moriello; the National Endowment for the Arts; the New York City Department of Cultural Affairs; the New York State Council on the Arts; Paul Hastings LLP; Richard J. Reilly & DLA Piper; Tim Saunders; Greg Schriefer; The Morris and Alma Shapiro Fund; The Shubert Foundation; Chris Shyer; Sidley Austin; Jean Luc Sinniger; Lorraine Toussaint; Tejal Wadhwani and Goldman Sachs; Earl Weiner; Kate & Seymour Weingarten; Nancy Weiss; Frank Wohl; and Lori-Ann Wynter; by arrangement with Alliance Artist Management.