Philharmonic Society of Orange County Presents

Tetzlaff Quartet

Sunday, April 24, 2022 | 3pm 

Featured Artist Sponsor

Sam B. and Lyndie Ersan

This performance will include one 20-minute intermission.

Tetzlaff Quartet

Christian Tetzlaff: Violin
Elisabeth Kufferath: Violin
Hanna Weinmeister: Viola
Tanja Tetzlaff: Cello

Recordings available on the Ondine and CAvi labels

Photographing or recording this performance without permission is prohibited. Kindly disable pagers, cellular phones and other audible devices.

Joseph Haydn
(1732-1809)

String Quartet in G minor, Op. 20, No. 3
Allegro con spirito
Minuetto: Allegretto
Poco adagio
Finale: Allegro di molto

Anton Webern
(1883-1945)

Five Movements, Op, 5
Heftig bewegt
Sehr langsam
Sehr bewegt
Sehr langsam
In zarter Bewegung

Intermission

Johannes Brahms
(1833-1897)    

String Quartet in A minor, Op. 51, No. 2
Allegro non troppo
Andante moderato
Quasi Minuetto, moderato
Finale. Allegro non assai

FRANZ JOSEPH HAYDN
Born March 31, 1732, Rohrau
Died May 31, 1809, Vienna

 In 1772 Haydn composed the six quartets that he would publish as his Opus 20, but listeners should not for an instant be fooled by that low opus number–these quartets are the work of an experienced composer.  When he wrote them, Haydn was 40 years old, he had been kapellmeister to the Esterhazy court for over a decade, and he had composed nearly fifty symphonies.  The string quartet had begun as an entertainment form, usually as a multi-movement work of light character intended as background music at social occasions.  The original title of this form–divertimento–made clear that this music was intended as a diversion.  Haydn in fact published the six quartets of his Opus 20 under the title Divertimenti, but he had already transformed the string quartet.  No longer was it entertainment music content to remain in the background–Haydn made it a concise form, capable of an unusual range of expression.  He reduced the number of movements to four, liberated all four voices (particularly the cello), and built the music around taut motivic development.

The evolution of the form, though, was not simply a matter of newly-refined technique–it was also a matter of new depth of expression.  Haydn brought to his Opus 20 all his recent growth as a composer (some have heard the influence of his symphonic thinking in this music), and these quartets demonstrate a level of dramatic tension far removed the form’s original entertainment function.  The String Quartet in G Minor is a very serious piece of music: its minor tonality is one indication of this, as is the fact that three of its four movements are in sonata form.  Throughout this music runs an unusual level of tension, an atmosphere heightened by the fact that all four movements end quietly.

Haydn marks the opening movement Allegro con spirito, and spirited it certainly is, with the animated line leaping between the four voices at the opening–this interplay of four voices will mark the entire quartet.  The development is terse–Haydn compresses his ideas into motivic fragments and their development feels lean rather than melodic; after all this energy, the quiet ending is particularly effective.  The minuet stays in G minor, and a level of tension informs this dance.  The trio–in E-flat major–feels like a ray of sunshine cutting through the chill mists of the minuet, and Haydn makes a characteristic decision here–the melodic interest is in the three lower voices, while the first violin weaves an amiable texture of steady eighth-notes above them.  The Poco Adagio is the one movement not in G minor (it is in G major), and it is an unusually long movement–even if the repeat is not taken, it is still the longest movement in the quartet.  Textures are somewhat fuller here, and while the music turns dark in the course of the development, this remains a melodic and attractive movement.  There are many nice little touches along the way, including an extended brilliant passage for cello (its liberation from the old accompaniment role is clear) and some nice attention to sound when Haydn contrasts the quite different sonorities of open and closed D’s in the second violin part.  The finale, marked Allegro molto, returns to the mood and manner (and key) of the opening movement, with taut contrapuntal textures and spirited interplay between the four voices.  After all this virtuosity, the ending is terrific: the dynamic grows quiet, and it is the (fully-liberated) cello that draws this quartet to its close on murmured bits of the movement’s opening theme.

ANTON WEBERN
Born December 3, 1883, Vienna
Died September 15, 1945, Mittersill

Webern wrote these five brief movements in 1909, when he was 25 and working as an operetta conductor in Austria.  He had just completed four years of study with Schoenberg, and his music was moving toward a free tonality.  The Five Movements for Strings are instrumental miniatures.  In the score, Webern suggests that they should last a total of about eight minutes, but most performances run closer to ten or twelve.  In the same year that Webern wrote these tiny pieces (originally for string quartet), Mahler was writing his eighty-minute Ninth Symphony, Ravel his opulent Daphnis and Chloe, and Stravinsky The Firebird, employing what that composer himself called a “wastefully large” orchestra.  Webern’s Five Movements can be understood as a movement away from those extremes of length and orchestration and toward a fierce concentration of materials.  This is not to say that Webern is unconcerned with color.  Far from it.  These brief pieces use almost every known string technique: pizzicato, harmonics, col legno (bowing with the wood of the bow), and ponticello (bowing on top of the bridge).

Listeners usually dismayed at the prospect of hearing Webern will find these pieces quite approachable.  They are now a over century old, and many film scores today–which give audiences no trouble–are written in a much more difficult idiom.  Those new to the Five Movements can approach them by listening for the variety of sound Webern produces or his treatment of thematic motifs, tiny thematic cells that appear in may guises.  These motifs recur throughout the Five Movements and are modified slightly as they proceed, though the pieces are so short that they lack real development sections.  Anyone who thinks Webern a detached and emotionless composer should see his careful instructions to the performers: “With tenderest expression,” “Utmost delicacy,” “Transitory,” “Dying away.”

1. Heftig bewegt (Moving vehemently). The first of the pieces begins fiercely, with snapping pizzicatos and dry col legno cracks.  Soon the cello plays the brief thematic cell that will recur throughout the Five Movements in various forms.  This movement goes through great dynamic extremes, ending with a barely audible pizzicato stroke.
2. Sehr langsam (Very slow). Muted throughout, this movement is only fourteen measures long.  The viola immediately sounds the theme, which undergoes very slow transformations before the music dies away on a second violin phrase marked “Hardly audible.”
3. Sehr bewegt (Moving rapidly). This movement might be considered the scherzo of the Five Movements. Over a rapid cello pizzicato, the upper strings flit and sing, with the first violin breaking into waltz-like fragments before the sudden rush to the close.  The entire movement lasts forty seconds.
4. Sehr langsam (Very slow). Thirteen measures long, this slow movement opens with violin tremolos, very softy extends the theme, and ends with a tiny brush of violin sound.
5. In zarter Bewegung (With delicate movement). The longest of the five movements, this opens quietly with the thematic cell in the cello, moves very quietly to a sudden, modest climax, then dies away on a sustained chord.  The variety of sound in this final movement is particularly impressive.

JOHANNES BRAHMS
Born May 7, 1833, Hamburg
Died April 3, 1897, Vienna

In one of the most candid admissions in the history of music, Brahms lamented to the conductor Hermann Levi about the strain of having to compose within the shadow of Beethoven: “You have no idea how the likes of us feel when we hear the tramp of a giant like him behind us.”  This comment is usually taken to refer to the overpowering example of Beethoven’s symphonies, but Brahms was just as haunted by the prospect of composing string quartets, and in that form he had to confront not one, but a number of giants from the past.  Brahms was all too aware of the string quartets of Haydn, Mozart, Beethoven, and Schubert, and he knew that any quartet he wrote would be judged against the achievement of those four masters.  Brahms tried to write quartets for years, but he was the most self-critical of composers, and he said that he had written and destroyed at least twenty quartets before he wrote two he liked well enough to publish in 1873 as his Opus 51.  One of his friends reported seeing sketches for these quartets as early as 1859, which means that Brahms had worked on them for fourteen years before he felt they were finished.

After his long delay in writing a symphony, Brahms wrote a stormy and impassioned First Symphony in C minor, then quickly followed it with a lyric and expansive Second.  The situation is somewhat similar with the two quartets of Opus 51: the dark Quartet in C Minor was followed by the more relaxed Quartet in A Minor.  It was as if Brahms’s opening work in a form needed to be a clenched confrontation in which he could attack the form and make it his own, and only then could he relax and write a sunnier work in the same form.

That said, however, it must be noted that Quartet in A Minor is marked by the same concentration of materials and motivic development that animated its predecessor, and much of this quartet grows directly out of the first violin’s opening theme.  Brahms intended this quartet for his friend Joseph Joachim, and he incorporated Joachim’s personal motto “Frei aber einsam” (“Free but lonely”) in the notes F-A-E that shape the opening theme.  In addition, the three rising eighth-notes that appear innocently in the fourth measure of this theme will return in various forms here and in subsequent movements.  But the quartet is not an exercise in crabbed motivic manipulation, and Brahms supplies a second subject that simply glows: it is a long duet for the violins, and he marks it dolce (“sweet”), lusingando (“charming, coaxing”), and mezza voce (“half voice”).  From these contrasted materials, he builds an extended sonata-form movement that concludes on evocations of Joachim’s motto.  The Andante moderato takes the shape of its main theme from that innocent figure from the very beginning.  Most striking here is the duet of first violin and cello at the center: over buzzing tremolos from the middle voices they sing a “Hungarian duet” in close canon before the movement closes on a return of the opening material.

 In the third movement, Brahms bends traditional minuet form for his own purposes.  He calls this movement a “quasi-minuet” and rather than building it on the standard minuet-and-trio form Brahms presents a lilting, ghostly minuet, then contrasts it with two sections–marked Allegretto vivace–where the music suddenly flashes ahead on a steady patter of sixteenth-notes, only to rein back to resume the more stately minuet tempo.

Many have heard the influence of Hungarian music in the finale: the first violin’s vigorous, strongly-inflected dance at the very beginning seems to have its origins in gypsy fiddling.  And perhaps this “gypsy fiddling” in a quartet intended for Joseph Joachim is a nod to that violinist’s Hungarian background.  This movement is in sonata-rondo form: that “gypsy” theme, full of energy and snap, recurs throughout but subtly evolves on each return.  Brahms speeds this wild dance to its close on a Più vivace coda.

 Program notes by Eric Bromberger

Praised by The New York Times for its “dramatic, energetic playing of clean intensity”, the Tetzlaff Quartett is one of today’s leading string quartets. Alongside their successful individual careers, Christian and Tanja Tetzlaff, Hanna Weinmeister and Elisabeth Kufferath have met since 1994 to perform several times each season in concerts that regularly receive great critical acclaim.

They are frequent guests at international festivals such as the Berliner Festwochen, Schleswig-Holstein Musik Festival and Musikfest Bremen and perform regularly at the prestigious Wigmore Hall in London. Other highlights include performances at Cologne Philharmonie, the Pierre Boulez Hall in Berlin, the Cité de la Musique in Paris, Vienna’s Musikverein, Amsterdam’s Concertgebouw, the Herkulessaal in Munich and the Gewandhaus in Leipzig.

The Quartet has also made four highly acclaimed tours to North America. Each tour included an appearance at Carnegie Hall with additional stops in San Francisco, Atlanta, Washington D.C., Cleveland, Cincinnati, Baltimore, Vancouver, Ann Arbor, Orange County and Berkeley.

The quartet’s first recording with music by Schönberg and Sibelius, was released by CAvi-music in 2010, the second recording with music by Berg and Mendelssohn received the prestigious “Diapason d’or” in 2015. In 2017 Ondine released a CD with music by Haydn and Schubert, followed in 2020 by a CD with two of the late string quartets of Beethoven.

Christian Tetzlaff, violin
Described as “one of the most brilliant and inquisitive artists of the new generation” (The New York Times), Christian Tetzlaff is a regular guest with the world's leading orchestras and festivals. He also enjoys collaborations with the most distinguished chamber musicians, including recital partners Leif Ove Andsnes and Lars Vogt. He plays a Peter Greiner violin.

Elisabeth Kufferath, violin
Elisabeth Kufferath is a regular guest at international music festivals including Lucerne, Schleswig-Holstein, Rheingau, Ravinia and Aspen. Her regular chamber music partners include Lars Vogt, Antje Weithaas, Isabelle Faust and Jens Peter Maintz. Elisabeth is currently Professor of Violin at the Hochschule für Musik und Theater in Hannover. She plays a Peter Greiner violin.

Hanna Weinmeister, viola
She is currently First Concertmaster at Opernhaus Zürich. She has worked with, amongst others, Leonidas Kavakos, Heinz Holliger, Gidon Kremer and Benjamin Schmid. She plays a Peter Greiner viola.

Tanja Tetzlaff, cello
Tanja Tetzlaff has appeared with many international orchestras. She is especially dedicated to chamber music and regularly plays with Lars Vogt, Martin Fröst and Carolin Widmann. She plays a violoncello of Giovanni Battista Guadagnini from 1776.

PHILHARMONIC SOCIETY OF ORANGE COUNTY

The Philharmonic Society of Orange County gratefully acknowledges the following donors for their generous support of the Fund for Music during the past twelve months. These contributions make up the difference between the income generated from ticket sales and the actual cost of bringing the world’s finest orchestras, soloists and chamber ensembles to Orange County and inspiring 160,000 K-12 students each year with quality music programs. Gifts range from $60 to more than $100,000, and each member of the Philharmonic Society plays a valuable role in furthering the mission of this organization.

Youth Music Education Program Sponsors

The Crean Foundation

Chapman University

The Davisson Family Fund for Youth Music Education

The William Gillespie Foundation

Thomas J. Madracki Memorial Endowment

Orange County Community Foundation

Pacific Life Foundation

Gail and Robert Sebring

U.S. Bank

Wells Fargo

Anonymous

Season Sponsors

Donna L. Kendall and the Donna L. Kendall Foundation

Anonymous

Judith and Howard Jelinek/Jelinek Family Trust

The Segerstrom Foundation

Series Sponsors

Donna L. Kendall Foundation

Dr. and Mrs. Howard Jelinek/Jelinek Family Trust, Eclectic Orange Series

Henry T. and Elizabeth Segerstrom Foundation

Steven M. Sorenson MD and the IBEX Foundation

Philharmonic Circle ($100,000+)

The Committees of the Philharmonic Society

The William Gillespie Foundation

Donna L. Kendall and the Donna L. Kendall Foundation

Dr. and Mrs. Howard Jelinek/Jelinek Family Trust

Philharmonic Foundation

Mr. James J. Brophy

Maestro Circle ($50,000+)

Sam B. and Lyndie Ersan

Mr. and Mrs. William F. Podlich

Gail and Robert Sebring

Ms. Dea Stanuszek

Chairman's Circle ($25,000+)

Colburn Foundation

The Crean Foundation

Mr. John D. Flemming and Mr. Mark Powell

Margaret M. Gates- in memory of family

Ann and Gordon Getty Foundation

Ms. Joan Halvajian

The Isidore and Penny Myers Foundation

National Endowment for the Arts

Mr. and Mrs. Douglas H. Smith

Steven M. Sorenson MD and the IBEX Foundation

Anonymous

President's Club ($10,000+)

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Mr. Gary Capata

Mr. Warren G. Coy

Richard Cullen and Robert Finnerty

Marjorie and Roger Davisson

The Dirk Family

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ESTERHAZY PATRONS

The Philharmonic Society is proud to recognize our dedicated patrons who have made a multi-year Esterhazy Patron pledge. We are grateful for their support, which has been largely responsible for enabling us to present the world’s most acclaimed symphony orchestras, chamber ensembles and soloists.

ESTERHAZY PATRONS

Mr. and Mrs. James Alexiou

Mr. and Mrs. Darrel Anderson

A. Gary Anderson Family Foundation

Mr. Gary N. Babick

Ms. Tricia Babick

Mrs. Alan Beimfohr

Mr. and Mrs. John Carson

Cheng Family Foundation

Mrs. William P. Conlin

Mr. Warren G. Coy

Marjorie and Roger Davisson

Mr. and Mrs. Jack Delman

The Dirk Family

Dr. and Mrs. Christopher Duma

Mr. and Mrs. Rodney Emery

Catherine Emmi

Sam and Lyndie Ersan

Mr. and Mrs. Howard Freedland

Margaret M. Gates—In memory of family

Mr. and Mrs. Milton S. Grier, Jr.

Maralou and Jerry M. Harrington

Dr. Howard J. Jelinek

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Mr. and Mrs. Stephen L. Salyer

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Mrs. Elaine Weinberg

Mr. and Mrs. George Wentworth

Bobbitt and Bill Williams

Anonymous

LEGACY CIRCLE MEMBERS

Mr. and Mrs. James Alexiou

Dr. and Mrs. Julio Aljure

Diane and John Chimo Arnold

Estate of Edra E. Brophy*

Mr. James J. Brophy

Mr. Douglas T. Burch, Jr.*

Mr. William P. Conlin* and

   Mrs. Laila Conlin

Pamela Courtial*

Mr. Warren G. Coy

Richard Cullen and Robert Finnerty

Mr. Ben Dolson*

Camille and Eric Durand Trust*

Karen and Don Evarts

Erika E. Faust*

James and Judy Freimuth

Ms. Carol Frobish*

The William Gillespie Foundation

Mr. and Mrs. Milton S. Grier, Jr.

Mr. Edward Halvajian*

Ms. Joan Halvajian

Ms. Marie Hiebsch*

Mildred and James* Hill

Mr. and Mrs. Lawrence Hull

Mr. Leonard Jaffe

Judith* and Howard Jelinek

Dr. Burton L. Karson

Donna L. Kendall

Hank and Bonnie Landsberg

Mrs. Carla Liggett

Dr. William Lycette

Mr. and Mrs. Herbert Michel

Mr. and Mrs. Bart Morrow

Mr. and Mrs. Michael D. Nadler

Eva Cebulski Olivier

Mrs. Frank M. Posch*

Marcia Kay Radelet

Marjorie Rawlins*

Mrs. Ladislaw Reday*

Elaine M. Redfield*

Mr. Richard M. Reinsch*

Mr. and Mrs. Stephen L. Salyer

Mr. and Mrs. Robert Sebring

Mr. H. Russell Smith*

Ms. Dea Stanuszek

Diane and Michael Stephens

Vas Nunes Family Trust*

Betty M. Williams*

Anonymous

*Deceased

Bold type indicates gifts of $50,000 or more.

THE FUND FOR MUSIC: PHILHARMONIC FORWARD CAMPAIGN

The Philharmonic Forward Campaign was introduced prior to the 2015-2016 season with a goal of raising $10 million to bolster the Philharmonic Society’s endowment. Thanks to several transformational gifts and commitments, we surpassed $16 million.

As a reminder, the campaign has three components:

• An endowment for artistic excellence and innovation will support the presentation of the world’s leading orchestras, classical soloists, and chamber ensembles while also allowing the Society to expand its eclectic programming, interdisciplinary projects, and new work offerings.

• An endowment for education and community programs will strengthen youth music education and family programs, community engagement, and the Society’s on-campus presence at schools.

• A current needs capital funds program for organizational sustainability will provide working capital to secure the finest artists well in advance of upcoming seasons.

These funds will bolster the Society’s broad mission of supporting the tradition of Western classical music while allowing us to present diverse music from emerging artists. It will also allow us to expand music education programs for K-12 and college students, creating a new generation of people who value great music.

Campaign leadership has been provided by Co-Chairs Donna Kendall and Douglas Smith, joined by a deeply committed Executive Committee. With their energetic guidance, we are well-positioned to engage the entire Philharmonic family in support of this transformational initiative. For more information, contact Ron Dufault, VP of Development, at (949) 553-2422, ext. 202, or email Ron@PhilharmonicSociety.org.

SECURING THE FUTURE

The Philharmonic Society’s campaign is the first of its kind in the organization’s history. It will grow the Society’s endowment—providing greater opportunities for the presentation of the world’s leading orchestras and other musical per formances while expanding our educational and community outreach—and also establish a current needs fund for organizational sustainability and flexibility. We are proud to recognize those who are helping secure the Society’s future with a gift to the Philharmonic Forward Campaign. We are grateful for their support, which will help fuel the Society’s growth and provide a legacy of incomparable music and superb music education programs in perpetuity.

Donna L. Kendall and Douglas H. Smith
Co-Chairs

DONORS TO THE PHILHARMONIC FORWARD CAMPAIGN

$1,000,000+

Mr. James J. Brophy

Donna L. Kendall and the Donna L. Kendall Foundation

Mr. and Mrs. Robert Sebring

Anonymous

$500,000+

Richard Cullen and Robert Finnerty 

James and Judy Freimuth

$250,000+

The Davisson Family Fund for

   Youth Music Education

Margaret M. Gates—In memory

   of family

Mr. and Mrs. Milton S. Grier, Jr.

Mr. and Mrs. Douglas H. Smith

$100,000+

Pete and Sabra Bordas

David and Suzanne Chonette

Karen and Don Evarts

Milli and Jim Hill

Marlene and Chris Nielsen

Richard and Deborah Polonsky

Diane and Michael Stephens

Anonymous

$50,000+

Mr. Douglas T. Burch, Jr.*

Dr. and Mrs. Richard D. Campbell

Erika E. Faust*

Mrs. Joanne C. Fernbach

Joan Halvajian

Elaine and Carl Neuss

Marcia Kay Radelet

Mr. and Mrs. Philip E. Ridout

Ms. Dea Stanuszek

Dr. Daniel and Jeule Stein

$25,000+

Mr. William P. Conlin* and Mrs. Laila Conlin

Mr. and Mrs. Donald French 

Mr. and Mrs. Peter Fuerbringer

Mr. and Mrs. Noel Hamilton

Dr. and Mrs. Chase Roh

Up to $24,999

Eleanor and Jim Anderson

John W. Benecke

Mr. and Mrs. Jim Burra

Ana and Ron Dufault

Hung Fan and Michael Feldman

First American Trust

   Kimberly Dwan Bernatz

Mr. John D. Flemming and Mr. Mark Powell

Duke Funderburke

Carolyn and John Garrett

Karin Easter Gurwell

Maralou and Jerry M. Harrington

Mrs. Alice E. Hood

Huntington Harbour Philharmonic Committee - Marina Windjammer Group

Judith and Kevin Ivey

Ms. Lula Belle Jenkins

Doris and Jim Kollias

Mrs. Elizabeth C. Kramer

Mr. and Mrs. Richard Lewis

Mr. and Mrs. Thomas Madracki

Mr. and Mrs. Anthony Mastrangelo

Mr. and Mrs. Herbert Michel

Charles Mosmann

Carl Neisser

Joan Rehnborg

Dr. and Mrs. Henry Sobel

Dr. and Mrs. Julio Taleisnik

Marti and Walter Unger

Gayle Widyolar, M.D.

Sandi Wright-Cordes

U.S. Bank

Anonymous

*Deceased

Please call the Philharmonic Society Development Department if you have included either the Philharmonic Society or the separate Philharmonic Foundation in your will or trust so that we may honor you as a member of the Legacy Circle. For more information, call (949) 553-2422, ext. 202 or visit: www.PhilharmonicSociety.org/SupportUs and click on Planned Giving.

OFFICERS
John Flemming, Chairman, CEO
Sabra Bordas, Vice Chair
Donna L. Kendall, Deputy Board Chair
Stephen Amendt, Secretary / Treasurer

EXECUTIVE COMMITTEE
John W. Benecke, Development
Sabra Bordas, Nominating
Hung Fan, Laguna Beach Music Festival
JoAnn Fuerbringer, Orange County Youth Symphony
Jane K. Grier, Member at Large
Elaine P. Neuss, Artistic and Marketing
Douglas H. Smith, Member at Large
Jean Felder, President, The Committees

BOARD OF DIRECTORS
Jim Brophy
Gary Capata
Margaret M. Gates
Barbara Roberts
Dr. Steven Sorenson
Kim Weddon
Kathryn Wopschall

PRESIDENT & ARTISTIC DIRECTOR
Tommy Phillips

DEVELOPMENT
Susan Totten, Interim Vice President of Development
Halim Kim, Senior Director of Development
Okairy Calderon, Patron Stewardship and Special Events Manager
Paige Frank, Development Associate

MARKETING AND PUBLIC RELATIONS
Jean Hsu, COO / Vice President of Communications
Marie Songco-Torres, Senior Marketing & Public Relations Manager

ARTISTIC OPERATIONS
Drew Cady, Production Coordinator
Kathy Smith, Piano Technician

EDUCATION
Sarah Little, Vice President of Education and Community Engagement
Courtney McKinnon, Manager of Volunteer and Education Services
Jennifer Niedringhaus, Education and Operations Associate

FINANCE
Roan Alombro, Vice President of Finance
Jessica Cho, Finance Associate / HR Administrator

PATRON SERVICES
Jonathan Mariott, Director of Patron Services
Angelica Nicolas, Marketing & Patron Services Associate / Board Liaison
Randy Polevoi, Musical Concierge

Founded in 1954 as Orange County’s first music organization, the Philharmonic Society of Orange County presents national and international performances of the highest quality and provides dynamic and innovative music education programs for individuals of all ages to enhance the lives of Orange County audiences through music.                   

For more than 65 years the Philharmonic Society has evolved and grown with the county’s changing landscape, presenting artists and orchestras who set the standard for artistic achievement from Itzhak Perlman, Gustavo Dudamel, Yo-Yo Ma, and Renée Fleming to the Berlin Philharmonic, Vienna Philharmonic, Chicago Symphony Orchestra, and many others. In addition, the Philharmonic Society celebrates multi-disciplinary performances under its Eclectic Orange brand and embraces music from a wide range of countries with its World Music performances. Its celebrated family concerts introduce children to classical music with creative and inspiring performances, instilling music appreciation for future generations.    

The Philharmonic Society’s nationally recognized Youth Music Education Programs, offered free of charge, engage more than 100,000 students annually through curriculum-based music education programs that aim to inspire, expand imaginations, and encourage learning at all levels. These programs are made possible by the Committees of the Philharmonic Society comprised of 700 volunteer members who provide more than 90,000 hours of in-kind service each year.   

As a key youth program, the exceptional Orange County Youth Symphony and String Ensemble provide top-tier training to the area’s most talented young musicians through multi-level ensemble instruction, leadership training, touring opportunities, challenging professional repertoire, and performances in world-class venues. The Philharmonic Society also promotes life-long learning by connecting with colleges and universities to conduct masterclasses and workshops and providing pre-concert lectures to introduce audiences to program selections.

 949.553.2422  |  PHILHARMONICSOCIETY.ORG

The Tetzlaff Quartet appear by arrangement with CM Artists

Bob Romney, Chairman
Community Leader

Gary Fabian, Treasurer
Chief Financial Officer
Kind Lending

William Parker, Secretary
Professor Emeritus Physics and Astronomy
University of California, Irvine

DIRECTORS

Eugene Choi
Betty Martinez Franco
Harason Horowitz
Terry Jones
Mike Kerr
Jennifer Klein
Dr. Tiffany Ana López
Bonnie Lubock
James Mai
Sherry L. K. Main
Jerry Mandel, Ph.D.
Christopher Ramsey
Richard and Cheryll Ruszat
Kathleen Treseder, Ph.D.
Stuart Winston
Anu Worah

HONORARY

Larry Agran
Mayor, City of Irvine
 
Howard Gillman, Ph.D.
Chancellor
University of California, Irvine

Public Partners
City of Irvine and UC Irvine

Official Health Care Partner
UCI Health

Corporate Sponsor
Haskell & White LLP

$50, 000+

Tom and Mayumi Adams

Paul and Bonnie Lubock

Thomas Rogers and Sally Anderson

Worah Family Foundation

$25, 000-$49, 999

Gerrit and Amy Cole Foundation

The Hiland Foundation

Bill and Carolyn Klein

The Richard and Elizabeth Steele Fund

Judy and Wes Whitmore

$10, 000 -$24,999

Gregory Bates and Joann Leatherby

Clifford and Jennifer Cheng

Eugene and Carol Choi

Paul and Anne Devore

Farhang Foundation

David and Trudi Gartley

Mike Gordon

Haskell & White LLP

Harason Horowitz

Mark Chapin Johnson Foundation

Terry and Judy Jones

Mike Kerr and Jenny Backhaus

Liza Krassner

Jerry and Whitney Mandel

Goran Matijasevic

Dot and Rick Nelson

Mary Watson-Bruce

William and Janice Parker Family Fund

William and Pat Podlich

Robert E. Romney

Richard and Cheryll Ruszat – Montessori Schools of Irvine

Al Spector and Tatjana Soli

Greg Zaret

Charlie and Ling Zhang

$5, 000 - $9, 999

Stephen and Mary Auerbach

Robert and Lillyan Cendejas

Rohit Deshpande and Anita Watumull

Gary Fabian and Deb Solon

Chuck and Janet Henze

Eleanor Jaffy and Andrew Vollero

Jack and Joy Kayajanian

Robert Kazer and Jill Richter

Ken and Chantelle Labowe - Labowe Family Foundation

Josh Martin, Emerald Real Estate Partners, and Tom Politowski

James McGaugh

Natalie Miles

Tom Newmeyer

Andrei Olenicoff Memorial Foundation

James and Lynn Payne

Christopher and Lynne Ramsey

Salwa Rizkalla

Adreana Souleles

Craig and Kirsten Springer

Alexander and Sachiyo Stimpson

Ms. Renee Walter

Brian and Beth West

$2,500 - $4, 999

Terri Beber and Terry McDonald

Ellen Breitman and Brien Amspoker

Terry Causey

Albert and Anne Encinias

Arlene and Steven Fienberg

Douglas and Kathleen Forde

Greg and Sumie Haase

Michael and Charisse Lyseight

Patricia M. McIntyre Foundation Fund at the Chicago Community Foundation

Mark J. Nielsen

Marcia Novegrod

Arthur Ong and Ginger Sun

Bill and Joyce Perrone

Ron and Jan Redmond

Bob and Jo Anne Simon

Eric and Donna Stovner

Kurt and Ellen Youngs

Robert Zasa and Judy Amiano

$1,000 -$2,499

Beth and Michael Adler

Charlotte W. and Richard D. Alexander Charitable Foundation

Scott and Katherine Arbuckle

Diane and Dennis Baker

James Carter

Alice and Dennis Creighton

Brad Crosley

Gail Doe

Jeanne Egasse and Boyd Philpot

Francis and Ruby Foo

David and Judy Fukuda

Stanford Gertler

Gary Good and Jackie Charnley

Roger and Patt Grable

Geeta and Sanjiv Grover

Loren Hansen and Lorraine Caukin

Karen Kewell Jacoby

Dr. Elliott Kornhauser and Mr. Joe Baker

Rachel Levin

Lutz Moeckel

Janis and Dave Murray

James Pick and Rosalyn Laudati

Jill M. Prentice

Diana Putz

Joel B. Rothman

Debbie and Frank Rugani

Phil and Joy Ruggiero

Arkady and Ella Serebryannik

Sally Anne and Don Sheridan

Walter and Masami Stahr

Robert and Veronica Start

CarolAnn Tassios

$500 -$999

Dana and Angelika Aswad

John W. Ballantyne

Michelle Bentcliff and Ann Litke

Judy Bloomingdale

Wayne and Nancy Broadhag

Robert Cassidy

Esther Cervantes and Steve Rivero

Denise B. Chilcote

Michael and Melanie Cooper

Joan Donahue

Ann Donat

Nancy Eisenberg

Christine Fluor and Walter Scacchi

Margaret Gates, with gratitude for your education commitment

S. Glass Family

Gleicher / Chen Family Foundation

Marcus Hickerson

Melvin and Hazel Hoshiko

Kathleen Koch

Sally Kurnick

Holly Larsen

John LaRue

John Long and Tamara Taylor

Han Dinh and Martin Le

Patti Martinez

Dr. & Mrs. John Middlebrooks

Susan M. Mason

Kenneth Niedziela

Rey O'Day

Mike Peak

Arnold and Nancy Raymon

Bebe and Otto Reyer

Karen Rook

Kent Sentinella

Joe Simrell

Mr. & Mrs. Raymond Sutton

Dr. Anthony Vasek

Fred and Patricia Viele

Emily Crean Vogler

Chuck and Marilyn Wright

$250 - $499

The Aber Group Inc

Mark Achong

Fredric and Lisa Albert

Mike Baginski and Kim Ling

Mrs. Kaui Balderston

Pat and Kate

George and Linda Bauer

Ms. Suzanne M. Becker

Bruce Beckman

Sally Bender

William and Annette Blaney

Ms. Nancy Braden

Peter and Kari Bretschger

Mr. Jelle Brons

David and Lisa Butler

Robert and Valerie Carter

Michael Casey

Luisa Cano

Eileen and Henry Cohen

Anahid Crecelius

Mike Davis

Myrtle Deakins

Mary Susan Denley

Don and Debra Drysdale

Kent and Irene Dunlap

Doug Elliott

Kelly YuehChun Feng

Joanne Fernbach

Ilone and Darin Gibson

Aimee Gromfin

Mr. & Mrs. Mark Hollingsworth

Haylee Homs

Harason Horowitz and Mark Chapin Johnson

Korey Jorgensen

Jessica Kaltman

Judy Kaufman

Kerry Krisher

Bruce Larson

Michael Lawler

Vicki and Richard Lee

Edward Luedke

Ramon Lugo

Capt. Kevin M. Mac Donnell

Dr. Frank and Mrs. Linda Meyskens

William D. Miller and Florence E. Miller

Daniel Morrison

Mr. Ramon Munoz

Ms. Maryellen Musgrave

Susan O'Brien

Cyrus Parker-Jeannette

Jorge Perez Valdes

Mr. and Mrs. Rivadeneyra

Josh and Carolyn Roberts

Dr. Stephen Rochford

Gary and Melanie Singer Charitable Fund

Kris and Geraldine Shah

Kim Smith

Dorothy J. Solinger

Tina Sommers-Bernhardt

Michael and Marilyn Staffieri

Daniel and Jeanne Stokols

Ingrid Strayer

Sullivan Family

Kim Tang

Cindy Tyan

Alvin Umeda

Jeanne Villacorte

Beth Waterman

Nella Webster

Carl and Deborah Weinert

Mark and Lou-Ann Weltman

Hemantha and Sophie Wickramasinghe

Jim and Sandra Williams

Dexter and Gisele Winzey

Gary and Cathy Wyatt

Kelley Yasbek

Andy and Wendy Yurcho

$100-$249

Brian and Gloria Abrams

Susan Adleman

Hoku and Kalani Aichele

Lillian Aranda

Theresa Battel

Rosanne and William Beam

Melissa Beck and Daniel Pugh

Chris Blank and Josie Badeaux

Paul Blank

Carol Boot-Storie

Kerry and Paul Boulian

Mr. and Mrs. J. Boyer

William and Lindsay Brennan

Mr. Steven Brenneis

Gary and Wendy Bryan

Dawn Burdick

Mr. & Mr. Christopher Cabrera

Peggy Campbell

Patrick J. Chambers

Chara Orthodontics

Grace Chen

Jeff Corp

David Coscia and Mark Armstrong

Donna Cox

Vivian Daniel

Charles Davison

Matt and Jane Delorenzo

RJ, Rita, and Timmy De Rama

Rhea Dorn

Ernest Duarte

Ron and May Duff

Eduardo and Elise Espinosa

Jim and Diane Ewing

Aviva and Fred Forster

Ms. Ellen Fujikawa

Eileen Garbutt

Charles Gates

Mr. John Gibbs

Ian and Kari Gibson

Ben and Sandie Goelman

Michael and Kristina Golden

Kevin and Candice Gomez

Anna Gonosova

Ms. Judith Guffey

Patricia Hansen

Gayle and Phil Harp

Jennifer Hart

Fred and Cheryl Heinecke

Edwin Henderson

Richard and Jacqueline Heyendal

Julie Hill

Peter Holden and Angela Howley-Holden

Holmes Family

Rita B Hopper

Dr. Dena Hulbert

W. Itoga & Sons

Gary Jackson and Linda Globerman Jackson

Laurie Jacobs

Judy Jones

Audrey Kapelinski

John Keating

Angela Kraus

Arlene Kato and Mike Kurihara

Kyle and Cherrill Kawakami

Kenneth Keller

Lynne Koffler

Colin and Joan Koransky

Karen Kotake

Mr. Richard Krey

Jennifer and Robert Langer

Lorna Larson-Paugh

Robert and Karen Lechich

Paul E. Len

Cheryl and James Lewis

Amy Li

Anne Llewellyn

Willard and Bettina Loomis

Mr. Robert Lopez

Lorena Mague

Dr. Sari Mahon

Ms. Amira Mansour

Christine A. Marx

Robert Mashihara

Thomas and Glynett Mcteer

Erica Morikawa

Dr. and Mrs. John Mull

Elaine and Cameron Mummery

Tasha and Owen Naccarato

Richard Nakai and Cindy Wederich

Virginia Olson

Lisa Osako

Judy Oswald

Hon. Julie Owen

Lauren and Richard Packard

Tom and Diane Pardue

Gerald Parham

Thomas and Davida Parham

Ms. Julie Patterson

Karin S. Paul

Dr. Dolly Platt

Brian Paegel and Jeremy Pyle

Lois Rake

Paul Ramey

Elaine Ramsay

Brad Rawlins

Kenneth Reinhard and Julia Reinhard Lupton

Anita and Bruce Reisman

Dennis and Marie Richman

In Memory of Irene DeNoia

Paul Schmidhauser and Cindy Hughes

Paul and Kristen Schmidt

Jack and Katharine Schoellerman

Jill Sekiguchi, DDS

Michael Sheffield

George Sidorakis

Tom Slickelman

John L. Smith and Mary Anne Anthony-Smith

Karen R. Speros

Jack and Molly Spiegel

D. Stroebel

James and Nadine Turner

Joanne Vargas

Linda Venezia

Kathy Vickers and Jeremy Freimund

Elliot Vogelfanger

Michele and Irwin Walot

David and Renee Warren

Bruce and Susie White

Steven and Elizabeth White

Roxanne Wong

Henry and Yen Yang Wu

Susan Yee

$150+

Mark Achong
Nancy and Wayne Broadhag
Hoku and Mark Aichele
Mrs. Kaui Balderston
Gregory Bates and Joann Leatherby
Melissa Beck and Daniel Pugh
Paul Blank
Christopher Blank and Josie Badeaux
Laura Brandlin
David Coscia and Mark Armstrong
Charles and Maureen Davison
Susan Lindquist de la Parra
RJ, Rita, and Timmy De Rama
Mark and Kathi Denny
John Elwood
Eduardo and Elsie Espinosa
James Evans
Ian and Kari Gibson
Kevin and Candice Gomez
Roger and Patt Grable
Judith Guffey
Patricia Hansen
Gayle and Phil Harp
Arlene and Mike Kato
Kyle and Cherrill Kawakami
Kathleen Koch
Duane and Kathie Mauzey
Janis and Dave Murray
Hon. Julie A. C. Owen
Julie Patterson
Christopher and Lynne Ramsey
Brad and Susie Rawlins
Jill Sekiguchi
Tom Slickelman
T. Sommers-Bernhardt
Michael and Marilyn Staffieri
Cindy Thomas
Fred and Patricia Viele
David and Renee Warren
Roxanne Wong
Andrew and Wendy Yurcho

$10 monthly

Mr. and Mrs. J. Boyer
Vivian Daniel
Karen Kotake
Traci Shirachi and Cory Chhiap

$75 month

As a partner in the annual National Choreographers Initiative, Irvine Barclay Theatre is also pleased to acknowledge all those who support this important contribution to American dance.

National Choreographers Initiative 2026
Molly Lynch, Artistic Director

Honorary Producer 

Bobbi Cox

Joanne and Dennis Keith

Barbara Roberts

Michelle Rohé

Richard and Elizabeth Steele Endowment Fund

Choreographer Sponsor

Terry Causey

Sophie and Larry Cripe

Judi Gorski

Diane Silber

Dancer Sponsor

Ellen Breitman and Brien Amspoker

James Carter

Croul Family Foundation

Janet and Henry Eggers

Mary and Andrew Franklin

Artistic Sponsor

Alan Andrews and Molly Lynch

Betsy Andrews and Alex Moad

Diane Diefenderfer and David Hanlon

Gale Edelberg and Bob Butnik

Gillian Finley and Robert Labaree

Carol Hamilton

Nancy and Ned Kriz

Dr. Rosalyn Laudati and Dr. James Pick

Kathryn Lynch and Robert McDonnell

Rachelle Menaker and Eddie Schuller

Marica Pendjer and John Miller

Andrew Rose

Sally Anne and Don Sheridan

Paula Tomei and David Emmes

Lynn Weiser and Mike Tompkins

Patron Sponsor

Dr. Michael Bear

Stacie Brandt

Laurie and Bart Brown

Gail and Denis Kalscheur

David Carmichael

Joseph Herron and Dana Klein

Chuck Johnston

Margi and John Murray

Diana Putz

Kim Smith

Jenny Szabo

Karen and Gary Thorne

Barbara and Jack Tingley

Dance Shoe Sponsor

Diane and Dennis Baker

Darci Bodin

Bronny Daniels

Roberta Fox

Sharon McNalley

Ivar Roth, Concierge Podiatry & Spa

Katy and Jack Schoellerman

Ann and Richard Sim

Linda and Steve Weitz

Dance Partner

Ellen Fujikawa

Mike Kerr and Jenny Backhaus

Maurice and Alexandra Mandel

Edward McPherson

Rita Mitchell

Mitsuhiko and Reiko Nakano

Dr. Janice Gudde Plastino

Rosalind Russell

Joseph Sheridan

Dan & Jeanne Stokols

Robert Strang

Mary Vensel White

Update as of 7/14/26

DONATE TODAY

Please consider making a donation to support the work of the National Choreographers Initiative. We need your contributions to support the dancers and choreographers involved in the project. Be an angel to the arts-dance! Thank you!

Send your donation to: NCI 3334 E. Coast Hwy #276, Corona del Mar CA 92625