Playhouse Theatre Group, Inc.
Co-founder/ |
Co-founder/ |
Co-founder/ |
presents
INDECENT
by
PAULA VOGEL
Director Kelly O’Donnell
Music Director Alexander Sovronsky
Choreographer Katie Stevinson-Nollet
Scenic Designer Johann Fitzpatrick
Costume Designer Izzy Fields
Lighting Designer Joe Beumer
Sound Designer Jeffrey Salerno
Props Master Erin Sagnelli
Stage Manager Emily Todt
Original Broadway Production Conceived and Directed by Rebecca Taichman
Score and Original Music by Lisa Gutkin and Aaron Halva
Original Broadway Production produced by
Daryl Roth, Elizabeth I. McCann, and Cody Lassen
INDECENT was produced by the Vineyard Theatre
(Douglas Aibel and Sarah Stern, Artistic Directors; Jennifer Garvey-Blackwell, Executive Director) New York City, Spring, 2016
INDECENT was commissioned by
Yale Repertory Theatre, New Haven, Connecticut
(James Bundy, Artistic Director; Victoria Nolan, Managing Director), and Oregon Shakespeare Festival, Ashland, Oregon (Bill Rauch, Artistic Director, Paul Nicholson, Executive Director)
Originally produced by
Yale Repertory Theatre, New Haven, Connecticut
(James Bundy, Artistic Director; Victoria Nolan, Managing Director)
and
La Jolla Playhouse, La Jolla, California
(Christopher Ashley, Artistic Director; Michael S. Rosenberg, Managing Director)
INDECENT under the then title of “The Vengeance Project” was developed, in part, at the 2013 Sundance Institute Theatre Lab at the Sundance Resort
Inspired by The People vs. The God of Vengeance, Conceived by Rebecca Rugg and Rebecca Taichman
INDECENT is presented by special arrangement with Dramatists Play Service, Inc., New York
Any video and/or audio recording of this production is strictly prohibited.
INDECENT runs approximately 100 minutes with no intermission.
An Attic Turned Into A Stage
Warsaw, Poland 1906, to Bridgeport, Connecticut 1950s, and everywhere in between.
Dan Zimberg | Lemml
Noa Graham | Vera & others
Bart Shatto* | Otto & others
Kirsten Peacock | Halina & others
Helen Laser | Chana & others
Dan Krackhardt | Avram & others
Alexander Sovronsky* | Moriz Godowsky, Violin
Michelle Lemon | Nelly Friedman, Accordion
Jack Theiling | Mayer Balsam, Clarinet
Ben McLaughlin | Male Swing
Sydney Weiser | Female Swing
Dianne Rothenberg | Understudy for Vera and Others
*The Actor appears through the courtesy of Actors' Equity Association, the Union of Professional Actors and Stage Managers in the United States.
“Oklahoma”
Music by Richard Rodgers
Lyrics by Oscar Hammerstein II
This selection is used by special arrangement with The Rodgers & Hammerstein Organization, a Concord Music Company, www.rnh.com. All Rights Reserved.
“Wiegala”
by Ilse Weber
© Copyright 2002 by Boosey & Hawkes Bote & Bock GMBH, Berlin
All rights administered by Imagem Music Inc., www.imagem-music.com. All Rights Reserved.
“Bei Mir Bist Du Schon”
Words by Sammy Cahn, Saul Chaplin and Jacob Jacobs
Music by Sholom Secunda
Copyright © 1937 Cahn Music Co. (ASCAP)
This selection is used by special arrangement with Concord Music Company on behalf of Cahn Music Company, www.imagem-music.com.
All Rights Reserved.
“Ich hab noch einen Koffer in Berlin”
(Theme from “I Am a Camera”)
German Text by Aldo Von Pinelli, Music by Erich M. Siegel
TRO—© Copyright 1955 (renewed) Hampshire House Publishing Corp., New York, NY
All Rights Reserved Including Public Performance For Profit
Used by Permission
Though Indecent is inspired by Sholem Asch’s God of Vengeance, a play written in 1907, it couldn’t be more relevant today. Anti-Semitism, homophobia, the struggles of immigrants, and censorship are seen all over our headlines and these topics are sadly still a part of our collective consciousness. What does it say about our culture today when after 100 years we are still faced with these issues? Sometimes it can feel like nothing will ever change. But then along comes a play like Indecent, a story that shines a glimmer of hope into a world of darkness through the transformative power of theatre. Indecent is a celebration of the arts and, according to Paula Vogel, the playwright, it’s a “love letter to the theatre.” This play is a reminder that Art matters, that Love means something, and that uncomfortable topics need to be explored on stage and not silenced. Early in the play Asch asks the question “How do we as artists question our sins in front of a greater audience?” This question is central to the play and to our purpose as artists. Without that question, we have no art. The best way to combat censorship is to make art about things that people want to censor. Otherwise, we’ll live in a world where it feels like nothing is at stake.
Another line in the play that resonates with me is “The play belongs to the people who labor in it.” Our entire company of actors, designers, and staff have labored on this play, bringing our unique personal experiences and backgrounds into a beautiful web of intersectional collaboration. We are delighted to share our play with you.
KELLY O’DONNELL
Director
Kelly O’Donnell
Music Director
Alexander Sovronsky
Choreographer
Katie Stevinson-Nollet
Scenic Designer
Johann Fitzpatrick
Costume Designer
Izzy Fields
Lighting Designer
Joseph Beumer
Sound Designer
Jeffrey Salerno
Props Master/Set Dresser
Erin Sagnelli
Dialect Coach
Jennifer Scapetis-Tycer
Intimacy Coach
Mary Berthelsen
German Consultant
Theodor Gabriel
Yiddish Consultant
Dr. Samuel Kassow
Production Stage Manager
Emily Todt
Assistant Stage Manager
Vintage Kovel
Wardrobe
Kathryn Duffner
Production Manager
David Addis
Technical Director
Johann Fitzpatrick
Scenic Carpenters
John Cerulo, Winfield Dobruck Jr, Benjamin Pitz, Royston Salmon, Reed Simiele
Electrics Crew
John Cerulo, Winfield Dobruck Jr, Reed Simiele
Scenic Charge
Rachel Daigneault
Scenic Painter
Mikayla Carr
Sound Board Operator
Peter Scheips
Dramaturg
Liv Fassanella
Covid Compliance Officer
Vintage Kovel
Lobby Design
Darlene Zoller, Eileen Oconnor
Production Photographer
Meredith Longo
Program Design
Liv Fassanella
Program Printing
Budget Printers
Poster/Postcard Design
Dornenburg | Kallenbach Advertising
Webmaster
Rick Fountain
E-Newsletter
Lisa Steier
Go deeper into the story of INDECENT and learn about the genesis of the play and some historical context.
Click here to view the dramaturgical casebook for this production.
Avery Heights Senior Living
Adam Bintz
Aviva West Hartford
Congregation Beth Israel
Jackie Costabile
Edible Arrangements
Sharon & Bob Efron
Nina Elgo and Chris Kreisen
Tony Falcetti & Falcetti Music
Falcetti School of Music
Excel Fitness
Barbara Fletcher
Melinda Floyd
Faith Fuerst
Robert Garrey
Hartford Stage
Megan Hayden & Riverbend Bookshop
Hoffman SummerWood Senior Living
Mandel Jewish Community Center
Barbara Laurain
Sandy Morgan
Nancy Naples
NOH8 Campaign
Emily & Alex Pattacini
Mark Raymond & Carolina Wine Brands
Robin Rittinger
Elizabeth Rose & The Jewish Historical Society of Greater Hartford
Liz Saylor
Susan Schlank
Theatreworks Hartford
Michelle Troy & The Presidents College of the University of Hartford
Carole Wagner
Barry Walters & WeHa Pride
Harriet Winograd
West Hartford Second Chance Shop