MAN OF LA MANCHA (2018) IN HD
AUGUST 13 – SEPTEMBER 5, 2021
Man of La Mancha in HD (2018)

August 23 – September 5

by Dale Wasserman
music by Mitch Leigh
lyrics by Joe Darion
directed by Mark Lamos


SETTING
A prison in the city of Seville and various places in the imagination of Miguel de Cervantes.


ORIGINAL RUN DATES
September 25 – October 13, 2018


Original Production staged by Albert Marre
Originally produced by Albert W. Selden and Hal James
Man of La Mancha is presented by arrangement with Tams-Witmark Music Library, Inc.,  
560 Lexington Avenue, New York, New York 10022

 

2021 SEASON SPONSORS

Eunice & David Bigelow Foundation

PRODUCTION SPONSOR

Barbara Samuelson

 

SPECIAL FUNDING

Maureen & Edwin Schloss

PRODUCTION SPONSORS
Barbara & John Samuelson
Barbara & John Streicker
 
PRODUCTION PARTNERS
Carol & Peter Seldin
 
EDUCATION SPONSORS
The Graham Foundation of Connecticut
The David & Geri Epstein Private Foundation
 
CORPORATE PRODUCTION SPONSOR
Bank of America
 
CORPORATE PRODUCTION PARTNER
Cohen & Wolf P.C., Attorneys at Law

 

by Mark Lamos
August 2018

Dear Friends,

Man of La Mancha began its unusual and successful life first as a program for live television’s “golden age,” an era when classic plays, great opera productions, classical ballets, and Leonard Bernstein’s Young People’s Concerts were routinely broadcast “live from New York.” The dramas featured major stars of stage and screen along with prominent writers and directors of the era. In 1959, the “DuPont Show of the Month” presented Dale Wasserman’s teleplay, “I, Don Quixote,” based on Miguel de Cervantes’ 1,000 page 17th century Spanish novel, to 20 million American viewers. Thus the seeds of the musical were planted in a Manhattan television studio, and the speech that would become its most famous song, “The Impossible Dream,” was almost cut before air time — twice!— until the actor playing the title role (the great Lee J. Cobb) insisted it be reinstated.

The show began its life as a musical just up the road from Westport Playhouse in 1965. The refurbished Goodspeed Opera House in East Haddam, Connecticut had opened its doors as a home for musicals just three seasons earlier. Wasserman’s retooled and retitled Man of La Mancha, now with music by Mitch Leigh and lyrics by Joe Darion, would be its first world premiere. In his 2003 memoir The Impossible Musical, Wasserman perhaps arguably suggested that, “All of [Goodspeed Opera’s] success and fame, stretching many decades now, is due to a venturesome new musical that opened in the summer of 1965 called Man of La Mancha.”

When the show was ready for New York, the producers decided it would be wiser to place it closer to the flourishing “downtown” scene in Greenwich Village, with its counter-culture 1960s energy, instead of the more obviously commercial uptown Broadway. They felt its story of one man fighting the odds, ennobling all he sees, and dreaming impossible dreams, was more suited to a less upscale — and more youthful and daring — part of Manhattan. The thrust staging, unusual for a big musical in New York, intimately connected audiences to the turbulent action on stage.

La Mancha was on the fault lines. In many ways, it pointed the way toward approaching serious issues in musical theater. In just a few seasons A Chorus Line and Company would appear, continuing to change the popular perception of what the genre should be. “[La Mancha] looked back to the golden age of musicals such as South Pacific and Carousel… while it simultaneously celebrated the value of eccentricity, originality, and abandon,” writes theater scholar Robert Sennet.

Man of La Mancha has since been performed in almost fifty countries — a story so beloved and universal that it resonates around the world. I hope it speaks to you tonight, and that you might even linger on its relevance today, with a prison incarceration problem of massive scale and a surging mass of desperate humanity attempting to cross our borders to make impossible dreams come true.

Philip Hernandez
Cervantes / Don Quixote

Westport Country Playhouse debut: Man of La Mancha. Philip is the only actor in Broadway history to play Jean Valjean and Inspector Javert in Les Misérables. He also played principal roles in the Original Broadway Casts of Kiss of the Spider Woman and Paul Simon’s The Capeman. T.V. roles include: “Bull,” “Blue Bloods,” “The Blacklist,” “The Path,” “Gotham,” “Nurse Jackie,” “Elementary,” “Hostages,” “Damages,” “Person of Interest,” and “Law and Order.” His favorite role is being “Dad” to Mariah and  Tallulah. As a coach in NYC, Philip prepares actors for work on-camera and onstage. Find him at www.PhilipHernandez.net or on Twitter & Instagram @philip24601

Gisela Adisa
Aldonza

Westport Country Playhouse debut: Man of La Mancha. Broadway: Beautiful. First National Tour: Sister Act. NY Theatre: Trial (Beckmann Theater); Marie Christine (3LD); Caroline, or Change (Gallery Players); Futurology (National Black Theater). Regional: Lights Out (People’s Light, nomination for Barrymore Award for Excellence in Theatre). TV: “Younger,” “Royal Pains.” Film: ShieldRide By NightChasing TasteJamerican. Gisela holds a B.A. in Drama and African Studies from Fordham University and is a proud member of Broadway Inspirational Voices, Broadway Serves and Vocal Ease. More at www.iamgisela.com, @imGisela and @GiselaAdisa on Instagram.

Ceasar F. Barajas
Pedro/Prisoner

Westport Country Playhouse debut: Man of La Mancha. Ceasar is a multi-hyphenated performing threat with international credits. Some Broadway and regional faves include: Man of La Mancha (Pedro, Shakespeare Theatre Company, Helen Hayes Award Nominee); In the Heights (Graffiti Pete/Assoc. Choreographer, Walnut St Theatre); Sir Tim Rice’s From Here to Eternity (Hal/Pvt. Ruiz, Ogunquit Playhouse). Film (selected): Hello Again (opposite Audra McDonald), L.A.dy Dior (opposite Marion Cotillard). TV (selected): “The Last O.G.” (opposite Tracy Morgan), “Bull,” “The Good Fight,” “Law & Order: SVU,” “Gotham.” Please visit www.ceasarfbarajas.com.

Carlos Encinias
Padre/Prisoner

Westport Country Playhouse debut: Man of La Mancha. Carlos is originally from Albuquerque, New Mexico and studied Theatre at BYU. Broadway: Les Miserables (Feuilly), Mamma Mia (u/s Eddie/Father A), Scandalous (Ramon), Good Vibrations (u/s Jan/Class Pres.). Off-Broadway: Altar Boyz (Juan/Abe/Mark), Mapmaker’s Opera (Roberto). Regional: Evita (Che) at Phoenix Theatre, Christmas Story (u/s Santa Claus) at Papermill, I Am Anne Hutchison/Harvey Milk at Strathamore with Kristen Chenoweth and Andrew Lippa, world premiere of Vices: A Love Story (Man 1) at Caldwell Theatre Company, Cinderella (Prince) at Sundance Theatre.

Michael Scott Gomez
Paco/Guard/Horse/Prisoner

Westport Country Playhouse debut: Man of La Mancha. Michael is a Dallas native and MFA graduate of the ART/MXAT at Harvard
University. Regional credits include: La Cage Aux FollesMary PoppinsFiddler on the RoofSeussical, and Catch Me If You Can in Dallas; GypsyA Chorus Line, and The Rocky Horror Show in Phoenix; The Donkey ShowAssistance, and Charlotte’s Web in
Boston. Instagram: @mr_mikegomez

Paola Hernandez
Antonia/Prisoner

Westport Country Playhouse debut: Man of La Mancha. Born and raised in Puerto Rico. Proud Circle in the Square Theater School Alumna. Rent National Tour (Mimi Marquez), Rent National Tour (Swing, U/S Mimi, Maureen), Twelfth Night (Viola), Spring Awakening (Martha), Legally Blonde (Vivienne), Hairspray (Dynamite), GodspellHair. www.paola-hernandez.com Follow: @phtanon

Tony Manna
Sancho Panza/Prisoner

Westport Country Playhouse debut: Man of La Mancha. Tony has appeared in several productions Off- Broadway, including These! Paper! Bullets! (Atlantic Theater Company), Timon of Athens (The Public Theater), and The Hasty Heart (Keen Company), among others. Regionally, he’s appeared at the Geffen Playhouse and in several shows at Yale Repertory Theatre, including CymbelineBlack SnowThe Taming of the Shrew, and You Never Can Tell. TV credits include “Maniac” (Netflix), “Elementary” (CBS), “Z: The Beginning of Everything” (Amazon), “The Exorcist” (FOX), and “The Marvelous Mrs. Maisel” (Amazon). He is a proud member of New Neighborhood and a graduate of the Yale School of Drama. tonymanna.com

Michael Mendez
Innkeeper/Tenorio/Prisoner

Westport Country Playhouse debut: Man of La Mancha. Michael was seen in Hey, Look Me Over! at New York City Center Encores! featuring Joel Grey, Vanessa Williams, and Bebe Neuwirth. New York: Chaplin (Broadway), Fat Camp (Off Broadway). Regional: Damn Yankees: The Red Sox Version (Goodspeed Opera House), Peter and the Starcatcher (Weston Playhouse), Joseph and the Amazing Technicolor Dreamcoat (ACT of Connecticut), How the Grinch Stole Christmas (Old Globe), Billy Elliot (North Carolina Theatre), Grease (North Shore Music Theatre), Hello! My Baby! (Goodspeed-Norma Terris), The Music Man (Weston Playhouse), The Full Monty (AMTSJ), Paquito’s Christmas(Kennedy Center). BFA: University of Arizona.

Ian Paget
Captain/Anselmo/Prisoner

Westport Country Playhouse debut: Man of La Mancha. You may have seen Ian in This Ain’t No Disco at Atlantic Theatre Company (World Premiere). Broadway: Soul DoctorLeap of FaithMamma MiaThe New York Spectacular at Radio City Music Hall (Dir/Chor: Mia Michaels). West End: A-rab in West Side Story (Olivier Nomination). Regional: Paul in A Chorus Line (Muny), Escape to Margaritaville (La Jolla Playhouse), How to Succeed…(Tuts), Yoshimi Battles the Pink Robots (La Jolla Playhouse), Dreamgirls (Tuts). TV: Mike Hunt on “The Queen’s Project,” “Lip Sync Battle,” “Mozart in the Jungle,” “One Life to Live,” “America’s Got Talent,” “The Jimmy Fallon Show,” “Saturday Night Live.” Film: Rock of Ages, Step Up Revolution. ipaget.com @ianpaget_

Lulu Picart
Maria/Housekeeper/Prisoner

Westport Country Playhouse debut: Man of La Mancha. Tours: Rodgers & Hammerstein’s Cinderella (First National), Listen To Your Heart (with David Friedman). Off-Broadway: Disenchanted (Lortel nomination, Best Featured Actress). Regional: 1776 (Rutledge), Man of La Mancha  (Aldonza), Mame (Gooch), Rent (Joanne), The Rocky Horror Picture Show (Eddie/Dr. Scott), Wit (Susie), South Pacific (Bloody Mary), Sweeney Todd (Johanna), I Love You BecauseEdgesHairHow to Succeed (with the Orlando Philharmonic), Finding Nemo: the Musical. Film: Frozen (Blu-Ray Featurette), Going in Style. Comedy Warehouse alum. Host of the 10k Dollar Day podcast. Connect: @lulupicart.

Jermaine Rowe
Guard/Juan/Horse/Prisoner

Westport Country Playhouse: Mlima’s Tale, Man of La Mancha. Jermaine is a multi-faceted theatre artist. Broadway/West End: The Lion King, Fela! Regional: Macbeth, Titus Andronicus, Noon Day Sun, Batboy. Film: Bwoy, Freedom, and was an original cast member in the National Theatre Live Fela! Operas: Il Barber de Seville, The Tales of Hoffman. Former dancer with Dance Theatre of Harlem and National Dance Theatre Company of Jamaica. He was a 2019 Semi-Finalist for the O’neill’s National Music Theatre Conference with his original work Storyteller/The Children from the Blue Mountain. He holds an MFA in Theatre from Sarah Lawrence College, as is a CUNY Adjunct Professor in Acting. Thanks to the entire team at Westport. Excited to be back.

David Sattler
Governor/Prisoner

Westport Country Playhouse debut: Man of La Mancha. Tours/ Regional: European Tour of Grease (Danny), Kiss Me Kate (Fred/Petruchio), Hunchback of Notre Dame (Phoebus), Evita (Che), Chicago (Billy), All Shook Up (Chad),Urinetown (Bobby), West Side Story (Tony), Carousel (Billy), Beauty & the Beast (Beast), The Pajama Game (Sid), The Who’s Tommy (Tommy), Annie Get Your Gun (Frank), City of Angels (Stone), On The Town (Gabey), Bye Bye Birdie(Conrad), Damn Yankees (Joe Hardy), Miss Saigon (John),Blood Brothers (Narrator), Joseph…  (Pharaoh), Children of Eden (Adam/Noah), Into the Woods (Cinderella’s
Prince/Wolf), and the world premiere of Prince of Egypt.

Clay Singer
Duke/Carracso/Prisoner

Westport Country Playhouse: Man of La ManchaRomeo and Juliet. Clay made his Off-Broadway debut in Single Rider. Other credits include Love the Struggle(SheNYC) and Fountain (New Vic reading). He earned his BFA at Carnegie Mellon University, certificate in classical acting from the London Academy of Music and Dramatic Arts, and his high school diploma down the street. Follow him on Instagram @claybsinger

Esteban Suero
Barber/Jose/Prisoner

Westport Country Playhouse debut: Man of La Mancha. Esteban is a Miami, FL, with two performance degrees from the University of Miami and Oklahoma City University. Past credits include: Will Bloom in Big Fish, Che in Evita, Angel in RENT, and Lead Vocalist in the National Tour of Rockin’ Road to Dublin. @estesuero

 

This theatre operates under an agreement between The League of Regional Theatres and ACTORS’ EQUITY ASSOCIATION, the union of professional actors and stage managers in the United States
The Director is a member of the STAGE DIRECTORS AND CHOREOGRAPHERS SOCIETY, a national theatrical labor union.
Westport Country Playhouse employs members of the INTERNATIONAL  ALLIANCE OF THEATRICAL STAGE EMPLOYEES, Local 74.
The Scenic, Costume, Lighting, and Sound Designers in LORT theatres  are represented by United Scenic Artists Local USA-829, IATSE.

 

Wilson Chin
SCENIC DESIGN
Fabian Fidel Aguilar
COSTUME DESIGN
Alan C. Edwards
LIGHTING DESIGN
Domonic Sack
SOUND DESIGN
Marcos Santana & Mark Lamos
MUSICAL STAGING BY
Marcos Santana
CHOREOGRAPHER
Wayne Barker
MUSIC SUPERVISOR
Andrew David Sotomayor
MUSIC DIRECTOR
Michael Rossmy
FIGHT DIRECTOR / INTIMACY COACH
Samantha Shoffner
PROPS MASTER
Tara Rubin Casting / Eric Woodall, CSA
CASTING
Ryan Gohsman
PRODUCTION STAGE MANAGER
More on the Creative Team

Click here to read the bios of our fantastic creative team.

Ben Clymer
Trombone
Nicholas DiFabbio
Guitar
Daniel Louis Duncan
Trumpet
Simon Hutchings
Reed
Joseph Russo
String Bass
Marshall Sealy
French Horn
Arei Sekiguchi
Percussion

Additional Video Editing
Stephen Emerick


Sound Board Mixer
Emery Roth

Assistant Scenic Design
Joo Kim, Anton Volovsek

Assistant Costume Design
Asa Benally

Assistant Lighting Design
Breana McGlocking

Production Assistants
Page Tazewell, Katie Cecil Cairns, Elisabeth Barnes-Flint

Dresser
Danny Smooke

Associate Producer / Director of Production
David Dreyfoos

Technical Director / Associate Director of Production
RJ Romeo

Company Manager
Bruce Miller

Head Stage Carpenter / Flyman
Anthony Servetas

Head Electrician / Light Board Operator
Bob McDevitt

Head Sound / Sound Board Operator 
Jon Damast

Head Shop Carpenter 
Jason Thompson

Carpenter
Scott Trichka

Wardrobe Supervisor 
Lisa Ficco

Scenic Artist 
Jess Ploszaj

Carpentry / ATD Fellow
Aaron Moss Cohen

Act I

Overture
Orchestra

Man of La Mancha
Don Quixote, Sancho

DULCINEA
Don Quixote, Muleteers

I’m Only Thinking of Him
Antonia, Padre, Housekeeper

We're Only Thinking Of Him – Antonia, Carasco, Padre, Housekeeper

The Missive – Sancho

I Really Like Him – Sancho

What Does He Want Of Me? – Aldonza

Little Bird, Little Bird – Anselmo, Pedro, Muleteers

Barber's Song – Barber

Golden Helmet Of Mambrino – Don Quixote, Sancho, Barber, Muleteers

To Each His Dulcinea – Padre

The Impossible Dream (The Quest) – Don Quixote

 

Act II

The Combat
Orchestra

The Dubbing/Knight of the Woeful Countenance
Innkeeper, Don Quixote,  Aldonza, Sancho

The Abduction
Anselmo, Pedro, Fermina

The Impossible Dream (The Quest) Reprise
Don Quixote

Man of La Mancha Reprise
Don Quixote

Aldonza
Aldonza

A Little Gossip
Sancho

Dulcinea Reprise
Aldonza

The Impossible Dream (The Quest) Reprise
Aldonza & Don Quixote

Man of La Mancha (I, Don Quixote) Reprise
Don Quixote, Sancho, Aldonza

The Psalm
Padre

Finale
Company

About Miguel de Cervantes

by David Kennedy and Liam Lonegan 

Born outside of Madrid in 1547, Miguel de Cervantes Saavedra, considered by many to be the inventor of the modern novel, is regarded as the greatest writer in the Spanish language. His most famous work, Don Quixote, has been translated into more languages than any other book except the Bible. While the adventures of the novel’s protagonist are many, Cervantes’ real-life adventures give the title character a run for his money.  In 1570 Cervantes enlisted in a regiment of the Spanish Navy Marines, and was wounded three times in October 1571 in the victory over the Ottoman fleet at the Battle of Lepanto. After his recovery, he was based mainly in Naples for the following three years, making expeditions from there to places throughout the Mediterranean. It was in 1575, while sailing from Italy to Barcelona, that his ship was attacked, and he was captured by Barbary pirates.

[This] five-year captivity left an indelible impression… the traumatic experience  continuously speaks through  [Cervantes’] work.
MARIA ANTONIA GARCÉS

Imprisoned in North Africa and kept as a slave, he made four unsuccessful escape attempts before he was ransomed by his parents in 1580 and sent back to Spain. According to Cervantes scholar Maria Antonia Garcés, this “five-year captivity in Algiers left an indelible impression on his fiction. From the first works written after his liberation…this  traumatic experience continuously speaks through his work.”

That was not the last time Cervantes was imprisoned. Returning to Spain, he attempted to live a fairly modest life as a tax collector in the Kingdom of Granada. But, after successfully gathering funds owed the Crown, he deposited the money with a Sevillian banker who went bankrupt soon thereafter, leaving Cervantes’ accounts unpaid. Though he was sent to jail for only several months, it proved to be a turning point in his life.   Cervantes later remarked that it was at this time he had the idea to write Don Quixote, which follows the adventures of a country nobleman named Alonso Quixano who, exhilarated by romantic stories of old, adopts the name Don Quixote de la Mancha and sets out to revive chivalry, right wrongs, and restore justice to the world. The musical Man of La Mancha draws from this period of Cervantes’ life, staging his invention of the Quixote legend while he is imprisoned in Seville. 

Though Cervantes is known primarily for Don Quixote, it is said that, above all, he wanted to be a dramatist. He penned sixteen dramatic works: eight full-length plays and eight short farces. Most of them are lost to history, but two survive. El Trato de Argel details his experiences in pirate captivity and La Numancia depicts the tragic and violent events of the siege of Numantia by the Romans. 

During his later years, Cervantes did not tire of his literary pursuits. In the last three years of his life, he published two novels and a collection of tales. He had just finished a final adventure novel entitled Los Trabajos de Persiles y Sigismunda when he died in Madrid in 1616 of what modern scholars believe was type-2 diabetes. Despite the fact that Don Quixote was a success in his lifetime, and he was hard at work until the day he died, his financial issues never ceased. Cervantes died penniless, but his imagination will live on forever. 

 

TOP: The cast of Man of La Mancha (2018). Photo by Carol Rosegg.
Westport Country Playhouse
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