SHANE PETERMAN, PRODUCING ARTISTIC DIRECTOR
PRESENTS
JESUS CHRIST SUPERSTAR
Music by Andrew Lloyd Webber & Lyrics by Tim Rice
DIRECTOR | NATALIE KING | |
MUSIC DIRECTOR | CODY DRY | |
CHOREOGRAPHER | KELLY McCAIN | |
PRODUCTION STAGE MANAGER | DWIGHT SANDELL* | |
ASSISTANT STAGE MANAGER | REBECCA BONGIORNO* | |
FIGHT CHOREOGRAPHER | JEFFREY COLANGELO | |
SCENIC DESIGN | KAE STYRON | |
LIGHTING DESIGN | AARON JOHANSEN | |
SOUND DESIGN & ENGINEER | MARK HOWARD | |
COSTUME & PROP DESIGN | MEGAN A. LILES | |
COVID COMPLIANCE OFFICERS | ELIZABETH KENSEK & BRIANA COLLAZO ABBOTT |
ON THE TERRY MARTIN MAIN STAGE
JESUS CHRIST SUPERSTAR is presented by arrangement with Concord Theatricals on behalf of The Really Useful Group.
www.concordtheatricals.com
CAST:
Christopher J. Deaton* | Judas | |
Feleceia Wilson | Jesus | |
Caitlin Chapa | Mary | |
Jason Hallman | Caiaphas | |
Anthony J. Ortega | Annas | |
Nikka Morton | Simon (Jesus understudy) | |
John-Michael Marrs* | Pilate | |
Nijel Smith | Peter | |
Ellen Eberhardt | Herod | |
Kevin Davis Jr. | Ensemble & Dance Captain | |
Mikki Hankins | Ensemble (Mary understudy) | |
Aren Hugo | Ensemble (Peter understudy) | |
Spencer Laboda | Ensemble (Judas/Pilate understudy) | |
Johanna Nchekwube | Ensemble (Herod understudy) | |
Lisette Sandoval Perez | Ensemble (Simon understudy) | |
Daniel Vanegas | Ensemble (Annas understudy) |
*Appearing through the SPT Agreement between this theatre, WaterTower Theatre, and Actors' Equity Association, the Union of Professional Actors and Stage Managers in the United States.
The videotaping or other video or audio recording of this production is strictly prohibited
MUSICIANS
Cody Dry | Conductor & Piano | |
Vonda K. Bowling | Keys 2 | |
Brittany Hart | Bass | |
Kami Lujan | Drums | |
Jesse Ramirez | Guitar |
Keyboard Programming by: Matthew J. Pool
PIT SINGERS: Kirsten Carty & Brayden Allen
ACT 1
15 Minute Intermission
ACT 2
“I am thrilled and honored to be directing the rock classic, JESUS CHRIST SUPERSTAR here at WaterTower Theatre. I am so grateful for Shane and Elizabeth’s focus on inclusion and their embrace of a broader scope of creative vision.
I was around 13 when I first heard Paul Nicholas wail “Gethsemane” on the original London 1972 album. As we all know, 13 is the age of rebellion which includes asking the question ‘Why?’ to everything your parents tell you. So, hearing Jesus question God in the garden of Gethsemane was a revelation to me. Like Jesus, I argued with my parents, but always ended up obeying. Am I Jesus like I thought? Can a Black girl in America be Jesus like? It made me see a commonality between the plight of Jesus and of a Black girl growing up in the South who was questioning her world. Despite our obvious differences, there was an inner struggle that was the same. That made a lasting impression on me about the inner commonality between different human experiences. In my approach to JESUS CHRIST SUPERSTAR, I am seeking to move beyond the limitations of form to find the common humanity within. This is the perspective in which I cast the show. It is also the inspiration for the direction of the show. The story is the same. It is as ancient as time and as universal as human nature. It is the story of doubt that can bring down the freedom movement of an occupied people. It is the battle between fear and faith, something we all understand.
We have a great cast and I expect it to be a powerful performance. I hope you will all come experience this innovative and modern retelling of JESUS CHRIST SUPERSTAR.”
Jesus Christ Superstar was Tim Rice and Andrew Lloyd Webber’s third collaboration (after The Likes of Us and Joseph). As no one was willing to back their idea as a stage show, the pair first produced the single "Superstar,” sung by Murray Head, near the end of 1969, followed by a concept album of the project with MCA in 1970.
The massive success of the record in the U.S. (the album hit number one) created a huge demand for a Broadway production and Jesus Christ Superstar opened at the Mark Hellinger Theatre in October 1971. Starring Ben Vereen as Judas and Yvonne Elliman reprising her role from the concept album as Mary, the show received five Tony nods. The U.K. production premiered the following year with Paul Nicholas in the title role. By 1980, after 3,358 performances, Superstar had become the longest-running musical in West End history at the time.
Superstar has been revived on Broadway three times, most recently in 2012, and was last seen in London in 2019’s award-winning Regent's Park Open Air Theatre production at the Barbican. Twice adapted into a film, Superstar has been professionally produced in 42 countries around the world.
On Easter Sunday, April 1, 2018, NBC aired a live concert version of the show, featuring John Legend as Jesus, Sara Bareilles as Mary Magdalene, Brandon Victor Dixon as Judas, Alice Cooper as King Herod, Norm Lewis as Caiaphas, and Ben Daniels as Pilate.
Rebecca Neef, President
Steven Pipes, Vice President
Maggie Vera, Vice President
Phil Longacre, Treasurer
Jeannette Johnson, Secretary
Rosalind Benjet
Blake Clemens
Barbara Daseke
Tim Horan
Nadia Loudon
Craig Sutton
Tiffany Richmond
Maggie Vera
Brittany Willis
Shane Peterman | Producing Artistic Director | |
Brian Gonzales | Director of Audience Benefactor Development | |
Kae Styron | Director of Production | |
Robin Clayton | Assistant to the Producing Artistic Director | |
Emily Holt | Graphic Designer | |
Earl Griggs | Bookkeeper & Consultant | |
Erica Harkins | Line Producer | |
Jesse Cohen | IT Consultant | |
Feleceia Wilson Frankie Wilson Gabrielle Steele Sydney Cornelius | Marketing: Zoe Communications Agency | |
Dylan Ray Owen | Box Office Supervisor | |
John Rawley | Bar & Concessions Supervisor | |
Rebecca Bongiorno Tatum Eckert Faith Grier Shay Howard Rhonda Rose Gideon Swift | Front of House Associates | |
Evan Murphy Conor Clark Edgar Hernandez Leo Thomas Breanna Richardson
| WTT Production Staff | |
Kae Styron | Scenic Artist | |
Davvi Solomon | Light Board Operator | |
Angel Weldehana | Sound Board Operator |
WaterTower Theatre depends on the the generosity of individuals, foundations, and corporate sponsors to continue to produce the highest quality professional theatre.
Looking for opportunities to share similar interests with other WTT patrons? Make a deeper investment in the arts by joining our popular donor affinity group, Women of WaterTower Theatre (WOW!)! A membership in this donor group offers many exciting opportunities from behind-the-scenes tours, to VIP opening night receptions, to "sneak previews" with guest speakers, and much more.
to the following donors who have given between March 1, 2023 – April 10, 2024
The below listing reflects gifts received between 03.01.2023 and 04.10.2024. We apologize for any unintentional omissions.
We gratefully acknowledge the 500+ donors who each year, through their contributions, make it possible for WTT to present over 125 performances each year. Although space limits our ability to publicly recognize donors at levels below $250, we deeply and sincerely appreciate every contribution. As ticket sales cover only a portion of our annual costs, these generous gifts of patrons, corporations, foundations, and others are critical to WTT’s ability to create quality professional theatre for our audience. Should you wish to be added to this extraordinary list of donors, please visit our website at www.watertowertheatre.org/donations or contact Brian Gonzales at 972-450-6275 or via email at bgonzales@watertowertheatre.org
Thank you!