Dances of Galánta
Zoltán Kodály (1882-1967)
The Hungarian Zoltán Kodály was not only a composer but also an ethnomusicologist and educator. Kodály spent his early childhood in Galánta (in present-day Slovakia), where his father was the town stationmaster. An outstanding student with varied interests, Kodály went on to study not only music at the Royal National Hungarian Academy of Music (now the Franz Liszt Academy of Music) in Budapest, but also languages and literature at neighboring institutions in the same city. Kodály’s deep and abiding interest in Hungarian folk song was reflected in his 1906 doctoral dissertation on the topic, and he “saw in folk music the sole authentic tradition of Hungarian musical culture, upon which a new national art of music might be built.”
He joined his fellow Hungarian composer Béla Bartók and travelled throughout Hungary and Transylvania to record, transcribe, and arrange folk songs that they later published. Although based on other folk songs not collected by the pair, Dances of Galánta (1933) borrows from Hungarian folk melodies and idioms, which are immediately audible in Kodály’s use of harmonies, melodies, and rhythms that evoke traditional music, such as quartal harmonies and pentatonic scales.
Broadly speaking, Kodály distinguished Hungarian melodies from those belonging to the Austro-Germanic musical tradition by their accented beginnings, long lines, and construction on and around the interval of a fourth, all of which can be heard in this composition. So too, can one hear how the verbunkos (Hungarian dance music used for military recruitment, especially pre-1849) shaped the form of the work, which alternates between slow sections, often in the woodwinds, and faster passages in the strings. Kodály’s fondness for his childhood home shines through in the colorful musical language of Dances of Galánta, the richness of which transports the listener to an unfamiliar yet exciting world.
Two flutes (one doubling piccolo), two oboes, two clarinets, two bassoons, four horns, two trumpets, timpani, percussion, strings