Suite from Appalachian Spring (1945 orchestration)
Aaron Copland (1900-1990)
THE STORY
Aaron Copland began composing Appalachian Spring in 1943 at the invitation of the prominent dancer and choreographer Martha Graham. Given the working title “Ballet for Martha,” the work was originally composed for 13 instruments. Upon the success of the premiere in 1944, Copland arranged the work into an orchestral suite of eight seamlessly connected movements, cutting several scenes and expanding the instrumentation. The suite was soon performed around the country, winning the Pulitzer Prize for Music in 1945. Appalachian Spring is the last major ballet score composed by Copland, following Billy the Kid (1938) and Rodeo (1942)—each representing a significant development in Copland’s accessible yet modern American style.
Set in the early 19th century, the ballet depicts a springtime pioneer wedding in the Appalachian countryside of Pennsylvania. As the couple prepares for life together, they encounter visitors who both warn and encourage them of the highs and lows that life will surely bring. While the work is most often performed apart from the original choreography, Copland’s use of expansive textures, buoyant melodies, and American folk song vividly evokes the pastoral charm and celebration found in the original ballet.
LISTEN FOR
INSTRUMENTATION
Piccolo, two flutes, two oboes, two clarinets, two bassoons, two horns, two trumpets, two trombones, timpani, percussion, piano, harp, strings