Scheherazade, Op. 35
Nikolai Rimsky-Korsakov (1844-1908)
THE STORY
Scheherazade, composed in 1888 by Russian composer Nikolai Rimsky-Korsakov, draws inspiration from One Thousand and One Nights, a series of Middle Eastern folk tales compiled during the Islamic Golden Age. The collection of stories had become wildly popular in Europe during the 18th and 19th-centuries with the rise of Orientalism, the depiction of Asian, Middle Eastern, and North African societies by Western artists, writers, and designers that emphasized their exoticism and were often built on stereotypes.
One Thousand and One Nights comes in many renditions and languages, but common to all versions of the story is the overarching framing device of the ruling Sultan hearing the many different tales from his wife Scheherazade. Rimsky-Korsakov heads his score with this preface: “The Sultan Shahriar, convinced of the duplicity and infidelity of all women, vowed to slay each of his wives after the first night. The Sultana Scheherazade, however, saved her life by the expedient recounting to the Sultan a succession of tales over a period of one thousand one nights. Overcome by curiosity, the monarch postponed the execution of his wife from day to day, and ended by renouncing his sanguinary resolution altogether.”
LISTEN FOR
INSTRUMENTATION
Piccolo, two flutes, two oboes, English horn, two clarinets, two bassoons, four horns, two trumpets, three trombones, tuba, timpani, percussion, harp, strings