Violinist Benjamin Beilman has won praise both for his passionate performances and deep, rich tone, which the Washington Post called “mightily impressive,” and the New York Times described as “muscular with a glint of violence.” His 2022–23 season includes debuts with the Trondheim Symphony, Hamburg Symphoniker, Oslo Philharmonic, and Taipei Symphony. He will also return to the Detroit Symphony and tour across Australasia, appearing with the West Australian Symphony Orchestra, Auckland Philharmonia Orchestra, and the Tasmania Symphony. In recital, he will premiere a work by Gabriella Smith at the Schubert Club in St. Paul and the San Francisco Conservatory of Music. In April 2022, he became one of the youngest artists to join the faculty of the Curtis Institute of Music. He has performed with major orchestras including the Chicago Symphony, Philadelphia Orchestra, Antwerp Symphony, Rotterdam Philharmonic, London Philharmonic, Frankfurt Radio Symphony, Zurich Tonhalle, Sydney Symphony, Houston Symphony, and Minnesota Orchestra. He performs regularly at major halls across the world, including Carnegie Hall, Lincoln Center, Concertgebouw Amsterdam, Kölner Philharmonie, Berlin Philharmonie, Wigmore Hall, Louvre, and Bunka Kaikan, and at festivals such as Verbier, Music@Menlo, Marlboro, and Seattle Chamber Music. An alum of CMS’s Bowers Program, Beilman studied at the Curtis Institute of Music and the Kronberg Academy (with Christian Tetzlaff), and has received many prestigious accolades including a Borletti-Buitoni Trust Fellowship, an Avery Fisher Career Grant, and a London Music Masters Award. He plays the “Ysaÿe” Guarneri del Gesù (1740), generously on loan from the Nippon Music Foundation.