Sunday, April 10, 2021 at 2:00 pm
St. Andrew's United Church, Halifax
Featuring Ivars Taurins, conductor and narrator
Myriam Leblanc, soprano
Charlotte Forknall, mezzo-soprano*
James Whitley, tenor*
Kip Johnson, baritone*
Marie Bouchard, harpsichord and organ
Symphony Nova Scotia
*From the Fountain School of Performing Arts, with special thanks to Dr. Christina Raphaëlle Haldane.
Johann Sebastian Bach (1685-1750) |
Prelude in C Major from The Well-Tempered Clavier, Book I, BWV 846 Marie Bouchard, harpsichord Air from Orchestral Suite No. 3, BWV 1068 Aria “Bist du bei mir”, BWV 508 Myriam Leblanc, soprano |
Johann Kuhnau (1660-1722) |
Aria “Komm doch süße Stunde” from Cantata Weicht ihr Sorgen aus dem Hertzen Myriam Leblanc, soprano |
J.S. Bach | Final chorale “Christe, du Lamm Gottes” from Cantata BWV 23 Myriam Leblanc, soprano Jon-Paul Décosse, baritone Charlotte Forknall, mezzo-soprano James Whitley, tenor Prelude in C Minor, BWV 546 (excerpt) Marie Bouchard, organ |
Johann David Heinichen (1683-1729) |
Concerto Grosso in G Major, S. 217: Allegro |
Francesco Maria Veracini (1690-1768) |
Overture No. 6 in G Minor: Allegro |
Jean-Philippe Rameau (1683-1764) |
Overture & “Chantons sur la musette” from Hippolyte et Aricie: Myriam Leblanc, soprano |
George Frideric Handel (1685-1759) |
Concerto and Aria “Affanni del pensier” from Ottone Aria “Amor commanda” from Floridante Myriam Leblanc, soprano |
Tomaso Albinoni (1671-1751) |
Concerto à 5 in G Major, Op. 9, No. 6: Adagio |
Georg Philipp Telemann (1681-1767) |
Overture in B-flat Major, from Musique de Table, 3ème production: Postillons – Badinage – Conclusion |
J.S. Bach | Aria “Bist du bei mir” BWV 508 Myriam Leblanc, soprano |
Additional players: Lindsay Roberts and Annie Corrigan, oboe.
Bach: “Bist du bei mir”:
Bist du bei mir, geh ich mit Freuden | When thou art near, I go with joy |
zum Sterben und zu meiner Ruh. | To death and to my rest. |
Ach, wie vergnügt wär so mein Ende, | O how pleasant would my end be, |
es drückten deine schönen Hände | If your fair hands |
mir die getreuen Augen zu! | Would close my faithful eyes! |
Kuhnau: “Komm doch, süße Stunde” from Weicht ihr Sorgen aus dem Hertzen
Komm doch, süße Stunde, | Come, do, sweet hour |
da mein geist | at which my spirit |
sich der Eitlekeit entreißt. | is to be delivered from vanity. |
Ach im Herrn |
Ah, today would I gladly and sincerely |
stürb’ ich heute herzlich gern, |
die in the Lord, |
denn sein Heil |
for his salvation |
und er selber ist mein Teil. |
and he himself are my portion. |
Mich verlangt von Hertzen Grunde. |
I desire it from the bottom of my heart. |
Komm doch, süße Stunde. | Come, do, sweet hour. |
Bach: Chorale from Cantata BWV 23
Christe, du Lamm Gottes, | Christ, Lamb of God, |
Der du trägst die Sünd der Welt, |
you who bear the sin of the world, |
Erbarm dich unser! |
have mercy on us! |
Christe, du Lamm Gottes, |
Christ, Lamb of God, |
Der du trägst die Sünd der Welt, |
you who bear the sin of the world, |
Erbarm dich unser! |
have mercy on us! |
Christe, du Lamm Gottes, |
Christ, Lamb of God, |
Der du trägst die Sünd der Welt, |
you who bear the sin of the world, |
Gib uns dein' Frieden. Amen. | grant us Your peace. Amen. |
Rameau: “Chantons sur la musette” from Hippolyte & Aricie
Chantons sur la musette, chantons. | Let us sing to the musette, let us sing. |
Au son quelle répette, dansons. |
To the sound that repeats, let us dance. |
Que l’Écho fidelle rende nos chansons. |
May faithful Echo return our songs. |
Bergère trop cruele, goûtez ses tendres leçons. |
Shepherdess too cruel, enjoy her tender lessons. |
Chantons sur la musette, chantons. |
Let us sing to the musette, let us sing. |
Au son quelle répette, dansons. | To the sound that repeats, let us dance. |
Handel: “Affanni del pensier” from Ottone
Teofane: | |
Affanni del pensier, | Torments of my thoughts, |
Un sol momento datemi pace almen, |
For a single moment give me some peace, |
E poi tornate! |
And then you can return! |
Ah! Che nel mesto sen |
Ah! Yet in my grieving heart |
Io già vi sento |
I still feel you |
Che ostinatila pace a me turbate. | Obstinately disturbing my peace. |
Handel: “Amor commanda” from Floridante
Timante: | |
Amor commanda, Onore invita | Love commands, Honour invites; |
Più bell’ impegno |
A more worthy undertaking |
D’espor la Vita no, non si da. |
To venture life one cannot have. |
Già l’Alma acces di bella Gloria |
The soul now kindled with noble glory, |
Corre all’Impresa |
Flies to the enterprise, |
E di Vittoria Sicura è già. |
And is already secure of victory. |
Amor, &c. | Love, &c. |
Bach: “Bist du bei mir”:
Bist du bei mir, geh ich mit Freuden | When thou art near, I go with joy |
zum Sterben und zu meiner Ruh. | To death and to my rest. |
Ach, wie vergnügt wär so mein Ende, | O how pleasant would my end be, |
es drückten deine schönen Hände | If your fair hands |
mir die getreuen Augen zu! | Would close my faithful eyes! |