CapLive: Paul Thorn
Sunday, September 10, 2023 | 7:30pm
Appell Center for the Performing Arts presents

CapLive:
Paul Thorn

Band Members
Chris Simmons – electric, acoustic & slide guitars, vocals
Dr. Love – piano, organ, synthesizer
Ralph Friedrichsen – bass guitar, vocals
Jeffrey Perkins drums, percussion

 

Capitol Theatre
Sunday, September 10, 2023 | 7:30pm


The taking of photographs and videos during the performance is strictly prohibited.


Some years ago I happened to see PAUL THORN performing on an outdoor stage at a street festival in the heart of a small Mississippi town. Suddenly, in mid song, Thorn stopped playing and looked down at the upturned, sugar-splattered face of a fan in the front row. “I sure would like me a funnel cake,” Thorn announced. The crowd exploded with laughter. By the end of the next song, someone in the audience had responded, and soon Thorn was happily munching on the doughy confection.

And that, dear people, is one more shining example of how Paul Thorn can breathe in the air around him, everyday and commonplace, and exhale something original and often side-splitting funny. It’s a kind of genius, and it’s there plain to see, in his music, his art and through his performances, which not only showcase his chops as a singer-songwriter, but as a pitch-perfect improv comic.

His audiences love it. And they come back for more because no two Paul Thorn performances are alike. For further confirmation of this, check out Thorn’s YouTube videos, though I warn you. You will find yourself a long time in this rabbit hole.

We live in a world where the terms “artist” and “genius” have been rendered meaningless through overuse. To use either in describing Thorn, though, is not overreach. Pick up any of his dozen or so CDs. The evidence is plain to see. Just listen.

The scenery of Thorn’s rural South is changing. The trailer parks, gravel roads around Tupelo and high school beauty queens flicker in the rear-view mirror. Two years ago, Thorn returned to his early gospel roots with the release of “Don’t Let the Devil Ride.” 

Much has been written about Thorn’s early years performing in his father’s Pentecostal church and later coming under the tutelage of his Uncle Merle, a pimp and small-time hustler. While those early relationships were formative and offered their attractions, the admonition of Jesus to love one another seems to hold powerful sway with Thorn.

I asked him about it.

“I’ll tell you where I got that from. My father was a minister, and one of his strongest qualities was he had time for the big people and little people too. … In fact, I went and visited him yesterday, and when I got there, there was a guy standing on the porch, dirty clothes, hadn’t had a bath.

“My mom walked on the porch and she gave him a two-liter 7-Up bottle filled with water because he didn’t have water in his house. She gave him a plate of fried chicken for his supper and told him he could come back tomorrow if he didn’t have any food.

“They’re not talking about it. They’re just doing it. If I got it from somewhere, that’s where it came from.”

CapLive: Paul Thorn
Sunday, September 10, 2023 | 7:30pm
Appell Center for the Performing Arts presents

CapLive:
Paul Thorn

Band Members
Chris Simmons – electric, acoustic & slide guitars, vocals
Dr. Love – piano, organ, synthesizer
Ralph Friedrichsen – bass guitar, vocals
Jeffrey Perkins drums, percussion

 

Capitol Theatre
Sunday, September 10, 2023 | 7:30pm


The taking of photographs and videos during the performance is strictly prohibited.


Some years ago I happened to see PAUL THORN performing on an outdoor stage at a street festival in the heart of a small Mississippi town. Suddenly, in mid song, Thorn stopped playing and looked down at the upturned, sugar-splattered face of a fan in the front row. “I sure would like me a funnel cake,” Thorn announced. The crowd exploded with laughter. By the end of the next song, someone in the audience had responded, and soon Thorn was happily munching on the doughy confection.

And that, dear people, is one more shining example of how Paul Thorn can breathe in the air around him, everyday and commonplace, and exhale something original and often side-splitting funny. It’s a kind of genius, and it’s there plain to see, in his music, his art and through his performances, which not only showcase his chops as a singer-songwriter, but as a pitch-perfect improv comic.

His audiences love it. And they come back for more because no two Paul Thorn performances are alike. For further confirmation of this, check out Thorn’s YouTube videos, though I warn you. You will find yourself a long time in this rabbit hole.

We live in a world where the terms “artist” and “genius” have been rendered meaningless through overuse. To use either in describing Thorn, though, is not overreach. Pick up any of his dozen or so CDs. The evidence is plain to see. Just listen.

The scenery of Thorn’s rural South is changing. The trailer parks, gravel roads around Tupelo and high school beauty queens flicker in the rear-view mirror. Two years ago, Thorn returned to his early gospel roots with the release of “Don’t Let the Devil Ride.” 

Much has been written about Thorn’s early years performing in his father’s Pentecostal church and later coming under the tutelage of his Uncle Merle, a pimp and small-time hustler. While those early relationships were formative and offered their attractions, the admonition of Jesus to love one another seems to hold powerful sway with Thorn.

I asked him about it.

“I’ll tell you where I got that from. My father was a minister, and one of his strongest qualities was he had time for the big people and little people too. … In fact, I went and visited him yesterday, and when I got there, there was a guy standing on the porch, dirty clothes, hadn’t had a bath.

“My mom walked on the porch and she gave him a two-liter 7-Up bottle filled with water because he didn’t have water in his house. She gave him a plate of fried chicken for his supper and told him he could come back tomorrow if he didn’t have any food.

“They’re not talking about it. They’re just doing it. If I got it from somewhere, that’s where it came from.”